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Diana Gabaldon

"All loss is one, and one loss becomes all, a single death is the key to the gate that bars memory."

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"All loss is one, and one loss becomes all, a single death is the key to the gate that bars memory."

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Donna Grant

"A belief in hell and the knowledge that every ambition is doomed to frustration at the hands of a skeleton have never prevented the majority of human beings from behaving as though death were no more than an unfounded rumor."

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Donna Grant

"You are whatever you shall leave behind when you leave life!"

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Donna Grant

"If I die prematurely I shall be saved from being bored to death at my own success."

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Donna Grant

"Fair... You'd be amazed how often I hear that word, Frank Zhang,and how meaningless it is. Is it fair your life will burn so short and bright? Was it fair when I guided your mother to the Underworld? No, not fair. And yet it was her time. There is no fairness in Death. If you free me, I will do my duty."

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Donna Grant

"To be closed as a person, it's not bad if you know that when this two rules, playing by your rules doesn't mean that you won't end up in jail, security why?We both know that everyone dies... it really doesn't matter who is first... in the end all die!"

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Donna Grant

"It's not that I've 'faked my own death' as the saying goes. Maybe it's that I've 'faked my own life,' and in doing so I've yet to realize how dead I really am."

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Donna Grant

"Easter is the final solution to the finality of death."

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Donna Grant

"One can survive everything, nowadays, except death, and live down everything except a good reputation."

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Donna Grant

"Death is the ultimate cessation of the individual Self."

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Donna Grant

"Red sky at night, the city's alight."

Explore more quotes by Diana Gabaldon

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Diana Gabaldon
"That's the best thing I can think of. Having a good hold on your arse always makes me feel steady."
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Diana Gabaldon
"It would ha' been a good deal easier, if ye'd only been a witch."
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Diana Gabaldon
"For a different woman, a different relationship, a different situation, gentleness might have been the proper, the only approach-but not for this woman, in these circumstances. The only thing that will cleanse Claire (and reassure her: look at what she says at the end of it. She feels safe again, having felt the power and violence in him) is violence. And-the most important point here-Jamie pays attention to what she wants, rather than proceeding with his own notion of how it should be, even though it's a sensible notion and the one most people would have."
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Diana Gabaldon
"Alive, and one. We are one, and while we love, death will never touch us. 'The grave's a fine and private place/ but none, I think, do there embrace."
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Diana Gabaldon
"It's always better if they see. Then they don't imagine things. So I didn't imagine, I remembered."
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Diana Gabaldon
"Soldiers manage by dividing themselves. They're one man in the killing, another at home, and the man that dandles his bairn on his knee has nothing to do wi' the man who crushed his enemy's throat with his boot, so he tells himself, sometimes successfully."
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Diana Gabaldon
"I want to take ye to bed. In my bed. And I mean to spend the rest of the day thinking what to do wit ye once I got ye there. So wee Archie can just go and play at marbles with his bollucks, aye?"
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Diana Gabaldon
"You have lost your mind,"Jamie said coldly, the shock receding slightly. "Or I should think you had, if ye had one to lose."
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Diana Gabaldon
"When I turned 35, I thought, 'Mozart was dead at 36, so I set the bar: I'm going to start writing a book on my next birthday.' I thought historical fiction would be easiest because I was a university professor and know my way around a library, and it seemed easier to look things up than make them up."
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Diana Gabaldon
"Conflict and character are the heart of good fiction, and good mystery has both of those in spades."
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