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Diana Gabaldon

"All loss is one, and one loss becomes all, a single death is the key to the gate that bars memory."

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"All loss is one, and one loss becomes all, a single death is the key to the gate that bars memory."

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Amber Hurdle

"Most people do not mind dying, as long as that does not happen today."

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Amber Hurdle

"Merciful death. How you love your precious guilt."

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Amber Hurdle

"Regard your soldiers as your children, and they will follow you into the deepest valleys; look on them as your own beloved sons, and they will stand by you even unto death."

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Amber Hurdle

"I were better to be eaten to death with a rust than to be scoured to nothing with perpetual motion."

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Amber Hurdle

"Pale death, with impartial step, knocks at the hut of the poor and the towers of kings."

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Amber Hurdle

"It is a sign of creeping inner death when we can no longer praise the living."

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Amber Hurdle

"To be idle is a short road to death and to be diligent is a way of life; foolish people are idle, wise people are diligent."

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Amber Hurdle

"He who doesn't fear death dies only once."

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Amber Hurdle

"Death has a life which kills everybody's life."

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Amber Hurdle

"There is no cure for birth and death save to enjoy the interval."

Explore more quotes by Diana Gabaldon

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Diana Gabaldon
"Don't go overboard in avoiding "said. Basically, "said is the default for dialogue, and a good thing, too; it's an invisible word that doesn't draw attention to itself."
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Diana Gabaldon
"When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself 'Jamie Fraser, for all ye canna see what she looks like, and for all she weights as much as a good draft horse, this is the woman."
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Diana Gabaldon
"Good sex scene is about the exchange of emotions, not bodily fluids."
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Diana Gabaldon
"You have lost your mind,"Jamie said coldly, the shock receding slightly. "Or I should think you had, if ye had one to lose."
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Diana Gabaldon
"He has cat blood, I reflected sourly, no doubt that was how he managed to sneak up on me in the darkness."
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Diana Gabaldon
"Ian, man, I didna tell ye because I didna wish to lose you too. My brother was gone, and my father. I didna mean to lose my own heart's blood as well. For you are dearer to me even than home and family, love.'She cast a lopsided smile at Jamie. 'And that's saying quite a bit."
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Diana Gabaldon
"Its appearance was greeted with cries of rapture, and following a brief struggle over possesion of the volume, William rescued it before it should be torn to pieces, but allowed himself to be induced to read some of the passages aloud, his dramatic rendering being greeted by wolflike howls of enthusiasim and hails of live pits."
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Diana Gabaldon
"Jamie's viewpoint is expressed almost entirely in metaphor: If she was broken, she would slash him with her jagged edges, reckless as a drunkard with a shattered bottle. He's using physical language, but he isn't talking about the physical details of the situation. Claire alludes to her emotion and shows it by her actions, but Jamie is thinking directly in pure emotions."
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Diana Gabaldon
"Conflict and character are the heart of good fiction, and good mystery has both of those in spades."
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Diana Gabaldon
"After all, I thought, what were days and weeks in the presence of eternity?"
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