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"Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed? Can the writer isolate and vivify all in experience that most deeply engages our intellects and our heats? Can the writer renew our hope for literary forms? Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so we may feel again their majesty and power?"
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"A man reading the Dickens novel wished that it might never end. Men read a Dickens story six times because they knew it so well."

"Prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house."

"Every healthy person at some period must feed on fiction as well as fact; because fact is a thing which the world gives to him, whereas fiction is a thing which he gives to the world."

"The role of a story was, in the broadest terms, to transpose a single problem into another form. ... It was like a piece of paper bearing the indecipherable text of a magic spell."

"Witness also that when we talk about literature, we do so in the present tense. When we speak of the dead, we are not so kind."

"Anon, who wrote so many poems without signing them, was often a woman."

"And she never could remember and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book."

"I think the only cardinal evil on earth is that of placing your prime concern within other men. I've always demanded a certain quality in the people I liked. I've always recognized it at once-and it's the only quality I respect in men. I chose my friends by that...A self-sufficient ego. Nothing else matters."

"It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel."

"The atmosphere of orthodoxy is always damaging to prose, and above all it is completely ruinous to the novel, the most anarchical of all forms of literature."
Explore more quotes by Annie Dillard


"Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles."


"The feeling that the work is magnificent, and the feeling that it is abominable, are both mosquitoes to be repelled, ignored, or killed, but not indulged."


"It is ironic that the one thing that all religions recognize as separating us from our creator, our very self-consciousness, is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution."


"I woke in bits, like all children, piecemeal over the years. I discovered myself and the world, and forgot them, and discovered them again."


"The most demanding part of living a lifetime as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one's own most intimate sensitivity."


"Love so sprang at her, she honestly thought no one had ever looked into it. Where was it in literature? Someone would have written something. She must not have recognized it. Time to read everything again."


"In the deeps are the violence and terror of which psychology has warned us. But if you ride these monsters deeper down, if you drop with them farther over the world's rim, you find what our sciences cannot locate or name, the substrate, the ocean or matrix or ether which buoys the rest, which gives goodness its power for good, and evil its power for evil, the unified field: our complex and inexplicable caring for each other, and for our life together here. This is given. It is not learned."
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