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"Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed? Can the writer isolate and vivify all in experience that most deeply engages our intellects and our heats? Can the writer renew our hope for literary forms? Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so we may feel again their majesty and power?"
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"This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job."
"Literature is where I go to explore the highest and lowest places in human society and in the human spirit, where I hope to find not absolute truth but the truth of the tale, of the imagination, and of the heart."
"A book is as private and consensual as sex."
"For the narrative to exist, so that it could be read and reread even if I was taken away. Stories outlive their writers all the time. We know plenty about Goethe and Charles Dickens from what they chose to tell, even though they have been dead for years."
"I haven't stuck to any formula. Most great writers stick to the same style, but I wanted to be more various."
"I hold that a writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature."
"I suppose all fictional characters, especially in adventure or heroic fiction, at the end of the day are our dreams about ourselves. And sometimes they can be really revealing."
"When you think about the period in which Agatha Christie's crime novels were written, they are actually quite edgy for the time."
Explore more quotes by Annie Dillard
"The world is fairly studded and strewn with pennies cast broadside by a generous hand. But- and this is the point- who gets excited by a mere penny? But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days."
"Books swept me away, this way and that, one after the other; I made endless vows according to their lights for I believed them."
"When we lose our innocence - when we start feeling the weight of the atmosphere and learn that there's death in the pot - we take leave of our sense."
"I set up and staged hundreds of ends-of-the-world and watched, enthralled, as they played themselves out."
"The writing that so thrills and exhilarates you, as if you were dancing right next to the band, is barely audible to anyone else."
"Get to work. Your work is to keep cranking the flywheel that turns the gears that spin the belt in the engine of belief that keeps you and your desk in midair."
"The question was not death; living things die. It was love. Not that we died, but what we cared wildly, then deeply, for one person out of billions. We bound ourselves to the fickle, changing, and dying as if they were rock."
"You do not have to sit outside in the dark. If, however, you want to look at the stars, you will find that darkness is necessary. But the stars neither require nor demand it."
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