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Martin Scorsese

"What the Dalai Lama had to resolve was whether to stay in Tibet or leave. He wanted to stay, but staying would have meant the total destruction of Tibet, because he would have died and that would have ripped the heart out of his people."

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"What the Dalai Lama had to resolve was whether to stay in Tibet or leave. He wanted to stay, but staying would have meant the total destruction of Tibet, because he would have died and that would have ripped the heart out of his people."

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Martin Scorsese
"I grew up within Italian-American neighborhoods, everybody was coming into the house all the time, kids running around, that sort of stuff, so when I finally got into my own area, so to speak, to make films, I still carried on."
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"I think there's only one or two films where I've had all the financial support I needed. All the rest, I wish I'd had the money to shoot another ten days."
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"Now more than ever we need to talk to each other, to listen to each other and understand how we see the world, and cinema is the best medium for doing this."
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"What the Dalai Lama had to resolve was whether to stay in Tibet or leave. He wanted to stay, but staying would have meant the total destruction of Tibet, because he would have died and that would have ripped the heart out of his people."
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"I don't agree with everything he did in his life, but we're dealing with this Howard Hughes, at this point. And also ultimately the flaw in Howard Hughes, the curse so to speak."
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"I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera."
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"I think what happened there was just the budget would be too big to build these sets because nothing really exists here in New York of that period; you have to build it all."
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"Every year or so, I try to do something; it keeps me refreshed as to what's going on in front of the lens, and I understand what the actor is going through."
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"There must be people who remember World War II and the Holocaust who can help us get out of this rut."
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"If it's a modern-day story dealing with certain ethnic groups, I think I could open up certain scenes for improvisation, while staying within the structure of the script."
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