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Brian Setzer

"It is hard to play Blue Suede Shoes. I know everyone has heard it 10 million times, and that makes it even harder to play it, but there's a very laid back tempo on that. I was surprised at how slow it really was."

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"It is hard to play Blue Suede Shoes. I know everyone has heard it 10 million times, and that makes it even harder to play it, but there's a very laid back tempo on that. I was surprised at how slow it really was."

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Asa Don Brown

"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."

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Asa Don Brown

"Hey, pretty book, why don't you lie in my lap awhile?"

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Asa Don Brown

"Kids. They're not tin cans or sheetrock. They're laughing machines. Wind them up and watch them go."

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Asa Don Brown

"We have different personalities, but in a harmonious way, I'd say. Anyway, we were booked to play at the festival as a duo; and we decided we wouldn't have any rehearsal."

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Asa Don Brown

"We try to treat everywhere we play differently and that's really important."

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Asa Don Brown

"Most of my nightmares involve me forgetting my lines in a stage play."

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Asa Don Brown

"Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well."

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Asa Don Brown

"The world is a stage, but the play is badly cast."

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Asa Don Brown

"The only other things, and again these things are hearsay, is that he could be pretty rough on directors, because he knew exactly the way he wanted to play the part. And he did so."

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Asa Don Brown

"When you have an acoustic bass in the ensemble it really changes the dynamic of the record because it kind of forces everybody to play with a greater degree of sensitivity and nuance because it just has a different kind of tone and spectrum than the electric bass."

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Brian Setzer
"It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings."
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Brian Setzer
"Normally, you go into the recording studio, make a record and then take it on the road and you think... wow... I could have done THIS to it, or something."
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Brian Setzer
"I basically sat down for a month, with all the Sun stuff I could find and just picked out my favorites. I didn't think that they were indicative of '54 to '57, although I tried to stay within that period."
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Brian Setzer
"I put a metronome up to all the songs, and I tried to really keep it true to the original tempos."
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Brian Setzer
"I wanted to go back to Sun. Unfortunately, most of the gear is gone from Sun. The way I take it now, it's almost like a tourist destination. So, it would have been pretty difficult to have brought all the gear into Sun to make it like it was in the '50's."
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Brian Setzer
"Since the big band started I'm just always swamped with movies and things. It certainly pays the bills and it's very satisfying, because I get to write all these big charts and all this crazy music."
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Brian Setzer
"Mark Winchester has left the band. He's decided that he's tired of the road and just wants to concentrate on his career in Nashville. I don't blame him at all. He'll certainly be missed."
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Brian Setzer
"To keep creating something with this type of music, you have to take it out of the box."
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Brian Setzer
"With the Stray Cats at least, we really took the music somewhere else. First, we wrote our own songs. That's a real weak point in modern classics if you do rockabilly or blues."
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Brian Setzer
"People out there maybe know who Junior Parker is and some of those Sun Records blues guys."
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