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Robert Creeley

"All of which was OK, as that proved then, I certainly wouldn't contradict it as a necessary sense of things."

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"All of which was OK, as that proved then, I certainly wouldn't contradict it as a necessary sense of things."

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Amber Hurdle

"The programme has ended, something has finished, and he has a sense of something having finished its course, and then all of a sudden he turns away and this other thing has just finished its course, this other person."

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Amber Hurdle

"When you stand on the stage you must have a sense that you are addressing the whole world, and that what you say is so important the whole world must listen."

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Amber Hurdle

"Commonsense is the realised sense of proportion."

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Amber Hurdle

"I do read everything that we publish. We usually have to have two or three votes for a book before we take it on. So in that sense I suppose it is an orchestra."

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Amber Hurdle

"A poem conveys not a message so much as the provenance of a message, an advent of sense."

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Amber Hurdle

"A proverb is good sense brought to a point."

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Amber Hurdle

"All things make sense; you just have to fathom how they make sense."

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Amber Hurdle

"If you sense there must be more, there is more."

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Amber Hurdle

"In the broad and sweeping sense which the use of the term generally implies, I am not a free-trader."

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Amber Hurdle

"It was a scene in the sense that we were all close and we all knew each other before the different bands had really formed. We used to rehearse in the same place."

Explore more quotes by Robert Creeley

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Robert Creeley
"It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on."
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Robert Creeley
"Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!"
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Robert Creeley
"Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him."
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Robert Creeley
"You were saying that once when visiting Yale, you were struck that unlike Pound, Williams's thinking was volatile, I mean, did not stay locked into a pattern of concepts that then defined his subsequent necessary behavior, whereas Pound did."
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Robert Creeley
"The irony of our social group is that so often everyone feels this, but there's no company whatsoever in that feeling. Think of Pound's great emphasis, the way out is via the door."
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Robert Creeley
"The pattern of the narrative never of necessity wants to end, it never has to."
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Robert Creeley
"And what's fascinating in The Ten Thousand Things is that although there's time, an inexorable time of the three generations of lives, actively present, but place is the time, time doesn't really have to do with simply the human experience of it."
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Robert Creeley
"There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement."
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Robert Creeley
"Don't name it, as they say, because instantly you offer it to this peculiar authority."
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Robert Creeley
"The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it."
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