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"I like to be aware of a book as a piece of writing, and aware of its structure as a product of mind, and yet I want to be able to see the represented world through it. I admire artists who succeed in dividing my attention more or less evenly between the world of their books and the art of their books . . . so that a reader may study the work with pleasure as well as the world that it describes."
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"Soon I'll find the right words, they'll be very simple."
"Chekhov was capable of casually tossing off deplorable comments in his letters, combined with a very modern anger against anti-Semitism."
"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."
"I love stories that suck you in, that you can't stop reading because you are quite simply there."
"It was pretty silly quoting poetry around free and easy like that. It was the act of a silly damn snob. Give man a few lines of verse and he thinks he's the Lord of all Creation. You think you can walk on water with all your books. Well, the world can get by just fine without them."
"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."
"In a way, literature is true than life,' he said to himself. 'On paper, you say exactly and completely what you feel. How easy it is to break things off on paper! You hate, you shout, you kill, you commit suicide; you carry things to the very end. And that's why it's false. But it's damned satisfying. In life, you're constantly denying yourself, and others are always contradicting you. On paper, I make time stand still and I impose my convictions on the whole world; they become the only reality."
"For several years, while I searched for, found, and studied black women writers, I deliberately shut O'Connor out, feeling almost ashamed that she had reached me first. And yet, even when I no longer read her, I missed her, and realized that though the rest of America might not mind, having endured it so long, I would never be satisfied with a segregated literature. I would have to read Zora Hurston and Flannery O'Connor, Nella Larsen and Carson McCullers, Jean Toomer and William Faulkner, before I could begin to feel well read at all."
"In reading we have to allow the sunken meanings to remain sunken, suggested, not stated; lapsing and flowing into each other like reeds on the bed of a river."
Explore more quotes by Annie Dillard
"I smelled silt on the wind, turkey, laundry, leaves . . . my God what a world. There is no accounting for one second of it (267)."
"Those of us who read carried around with us like martyrs a secret knowledge, a secret joy and a secret hope: There is a life worth living where history is still taking place; there are ideas worth dying for, and circumstances where courage is still prized."
"Somewhere and I can't find where I read about an Eskimo hunter who asked the local missionary priest 'If I did not know about God and sin would I go to hell?' 'No' said the priest 'not if you did not know.' 'Then why ' asked the Eskimo earnestly 'did you tell me?'"
"The most demanding part of living a lifetime as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one's own most intimate sensitivity."
"I alternate between thinking of the planet as home - dear and familiar stone hearth and garden - and as a hard land of exile in which we are all sojourners."
"You do not have to sit outside in the dark. If, however, you want to look at the stars, you will find that darkness is necessary. But the stars neither require nor demand it."
"Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles."
"I think science works the way a tightrope walker works: by not looking at its feet. As soon as it looks at its feet, it realizes its operating in midair."
"It is dire poverty indeed when a man is so malnourished and fatigued that he won't stoop to pick up a penny. But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days. It is that simple. What you see is what you get."
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