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"It's at moments like these in a game that the essentials of his character are exposed: narrow, ineffectual, stupid-and morally so. The game becomes an extended metaphor of character defect. Every error he makes is so profoundly, so irritatingly typical of himself, instantly familiar, like a signature, like a tissue scar or some deformation in a private place."

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"It's at moments like these in a game that the essentials of his character are exposed: narrow, ineffectual, stupid-and morally so. The game becomes an extended metaphor of character defect. Every error he makes is so profoundly, so irritatingly typical of himself, instantly familiar, like a signature, like a tissue scar or some deformation in a private place."

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"The condition you're in at this moment is the product of your previous thoughts, to change your condition, change your thoughts."

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"I find beauty in every sacred moment."

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Amber Hurdle

"Better to be dirty than dead."

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Amber Hurdle

"The worst enemy of life, freedom and the common decencies is total anarchy; their second worst enemy is total efficiency."

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Amber Hurdle

"To get matured, you must have an education in the School of Solitude!"

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Amber Hurdle

"In silence we are loving and kind, in a crowd we become blind."

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Amber Hurdle

"Happiness is not defined by how much money you possess."

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Amber Hurdle

"If you want people to enter your world, you don't need to invite them; just keep your door open and keep your thoughts plain!"

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Amber Hurdle

"I am giving my all in all to the sacred moments."

Explore more quotes by Ian McEwan

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"Writers owed their readers a duty of care, of mercy."
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"One important theme is the extent to which one can ever correct an error, especially outside any frame of religious forgiveness. All of us have done something we regret - how we manage to remove that from our conscience, or whether that's even possible, interested me."
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"I'm sorry to disappoint you, but my experience belongs to me, not the collective bloody unconscious."
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"They were beyond the present, outside time, with no memories and no future. There was nothing but obliterating sensation, thrilling and swelling, and the sound of fabric on fabric and skin on fabric as their limbs slid across each other in this restless, sensuous wrestling. ... They moved closer, deeper and then, for seconds on end, everything stopped. Instead of an ecstatic frenzy, there was stillness. They were stilled not by the astonishing fact of arrival, but by an awed sense of return - they were face to face in the gloom, staring into what little they could see of each other's eyes, and now it was the impersonal that dropped away."
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"Wasn't writing a kind of soaring, an achievable form of flight, of fancy, of the imagination?"
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"Her purity of spirit would never be in doubt, though she moved through a blemished world."
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"There's pathos in this familiar routine, in the sounds of homely objects touching surfaces. And in the little sigh she makes when she turns or slightly bends our unwieldy form. It's already clear to me how much of life is forgotten even as it happens. Most of it. The unregarded present spooling away from us, the soft tumble of unremarkable thoughts, the long-neglected miracle of existence. When she's no longer twenty-eight and pregnant and beautiful, or even free, she won't remember the way she set down the spoon and the sound it made on slate, the frock she wore today, the touch of her sandal's thong between her toes, the summer's warmth, the white noise of the city beyond the house walls, a short burst of birdsong by a closed window. All gone, already."
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"For children, childhood is timeless. It is always the present. Everything is in the present tense. Of course, they have memories. Of course, time shifts a little for them and Christmas comes round in the end. But they don't feel it. Today is what they feel, and when they say 'When I grow up,' there is always an edge of disbelief-how could they ever be other than what they are?"
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"In a language as idiomatically stressed as English, opportunities for misreadings are bound to arise. By a mere backward movement of stress, a verb can become a noun, an act a thing. To refuse, to insist on saying no to what you believe is wrong, becomes at a stroke refuse, an insurmountable pile of garbage."
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"All day we've witnessed each other's crimes. You killed no one today? But how many did you leave to die?"
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