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"So now, thirty years, forty years later, I mean, I could find a whole orchestra of a thousand to put these things together in New York City alone. In those days, if I could scrape up twenty musicians to do this it was something extraordinary."
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"I feel really different from other musicians."
Author Name
Personal Development
"I mean, look how many musicians have come through and played beside me, and I'm workin' and they're not."
Author Name
Personal Development
"What I try to do is produce an atmosphere where musicians want to invest in what they do and give to the recording. I hire those musicians who I know will play something creative and interesting."
Author Name
Personal Development
"I realized pretty soon that I have to do more than just play bass in the background way. So, I developed a kind of playing which only a handful of musicians accepted."
Author Name
Personal Development
"Musicians don't respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good."
Author Name
Personal Development
"So now, thirty years, forty years later, I mean, I could find a whole orchestra of a thousand to put these things together in New York City alone. In those days, if I could scrape up twenty musicians to do this it was something extraordinary."
Author Name
Personal Development
"We're not like pop musicians who have to perform the same top ten tunes every night of a tour."
Author Name
Personal Development
"The wise musicians are those who play what they can master."
Author Name
Personal Development
"I don't try to make 15 musicians sound like two each."
Author Name
Personal Development
"I did a concert... in September with the Berlin Philharmonic... They're great musicians, and there's always something to learn from them."
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Personal Development
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"So now, thirty years, forty years later, I mean, I could find a whole orchestra of a thousand to put these things together in New York City alone. In those days, if I could scrape up twenty musicians to do this it was something extraordinary."
Musicians
"The record company started as an adjunct to that, to give young composers their first recorded performances; to give young musicians their first debut on a recording. These are all things that big record companies would never touch because there is no money in it!"
Money
"Well, because music is my life and music is not work for me."
Life
"So this anchoring in some way, in some important way in the past without repeating the past, but on the basis of the past building something new: that is what is important."
Building
"And it is this sense that some of us have to contribute to the culture, to the society in ways that may hurt financially, so what? We do it because we are born to do it, we feel we have no other choice and so be it."
Society
"That was more or less coincidental in the sense that my parents wanted me to come back to New York because that's the center of musical activity still to this day, more or less, and so I auditioned for the Metropolitan Opera."
Day
"I don't hate work, composing is not work for me, it's my pleasure; it's my life. So why should I stop? If something is pleasurable and exciting and rewarding, why should one stop?"
Work
"But somehow, I felt no inclination to be interested in it in any amateur way, let alone professional, until suddenly I became interested. And the first thing I did was to compose: not play an instrument, but to compose."
First
"After the war, once the bop revolution had taken hold, there were all kinds of young musicians, talented young musicians, who were ready for this fusion of classical and jazz."
War
"Because I have sixty years of being a professional composer, conductor, musician, whatever, and you develop a lot of friendships and you get involved with a lot of sort of long-term commitments and obligations."
Being
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