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"Raft told me how to walk with him in a scene: We'd start off in a long shot normal, and about the time we got together in a close-up, I'd be bending my knees so I'd be shorter."
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"I always turn in my books on time, so you can always count on a book coming out when it's supposed to."

"You think you know her. Just wait and see the change. I'll have her trained in no time."

"There's no sense talking about priorities. Priorities reveal themselves. We're all transparent against the face of the clock."

"But the most important test is to take them on tour and see if you can bear to spend time with them."
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"But painting can be too lonely... I like being with people too much to have ever made that my life's work."

"I didn't know I was doing film noir, I thought they were detective stories with low lighting!"

"I got to know Sterling Hayden fairly well. He was a quiet man, who got more complicated as the years went on."

"Of course, in later years, I'd studied acting more than ever before - mostly with the late Stella Adler, who was marvelous! - but in my earlier years, I couldn't afford to do this."

"Some actresses seem to thrive on chaos, and I've often wondered if they felt they had to be that way in order to perform well?"

"I'd say my happiest moment as an actress came when I learned I'd won the Look Magazine Best Supporting Actress Award for 1956 in The Killing."
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