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David Foster Wallace

"A question, doctor," he said. "Why doesn't the coyote take the money he spends on bird costumes and catapults and radioactive road runner food pellets and explosive missiles and simply go eat Chinese?" He smiled coolly. "Why doesn't the coyote simply go eat Chinese food?"

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"A question, doctor," he said. "Why doesn't the coyote take the money he spends on bird costumes and catapults and radioactive road runner food pellets and explosive missiles and simply go eat Chinese?" He smiled coolly. "Why doesn't the coyote simply go eat Chinese food?"

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David Foster Wallace
"In school I ended up writing three different papers on "The Castaway" section of Moby-Dick, the chapter where the cabin boy Pip falls overboard and is driven mad by the empty immensity of what he finds himself floating in. And when I teach school now I always teach Crane's horrific "The Open Boat," and get all bent out of shape when the kids find the story dull or jaunty-adventurish: I want them to feel the same marrow-level dread of the oceanic I've always felt, the intuition of the sea as primordial nada, bottomless, depths inhabited by cackling tooth-studded things rising toward you at the rate a feather falls."
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David Foster Wallace
"You have a great deal of yourself on the line, writing- your vanity is at stake. You discover a tricky thing about fiction writing; a certain amount of vanity is necessary to be able to do it all, but any vanity above that certain amount is lethal."
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David Foster Wallace
"This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants."
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"Its emotional character is probably mostly indescribable except as a sort of double bind in which any/all of the alternatives we associate with human agency -sitting or standing, doing or resting, speaking or keeping silent, living or dying- are not just unpleasant but literally horrible."
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David Foster Wallace
"The reader becomes God, for all textual purposes. I see your eyes glazing over, so I'll hush."
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David Foster Wallace
"Hal finds he rather envies a man who feels he has something to explain his being fucked up, parents to blame it on."
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David Foster Wallace
"God, what a ghastly enterprise to be in, though--and what an odd way to achieve success. I'm an exhibitionist who wants to hide, but is unsuccessful at hiding; therefore, somehow I succeed."
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David Foster Wallace
"For these cultures, getting rid of the pain without addressing the deeper cause would be like shutting off a fire alarm while the fire's still going."
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David Foster Wallace
"Then he looked up, despite all best prior intentions. In four minutes, it would be another hour; a half hour after that was the ten-minute break. Lane Dean imagined himself running around on the break, waving his arms and shouting gibberish and holding ten cigarettes at once in his mouth, like a panpipe. Year after year, a face the same color as your desk. Lord Jesus. Coffee wasn't allowed because of spills on the files, but on the break he'd have a big cup of coffee in each hand while he pictured himself running around the outside grounds, shouting. He knew what he'd really do on the break was sit facing the wall clock in the lounge and, despite prayers and effort, count the seconds tick off until he had to come back and do this again. And again and again and again."
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David Foster Wallace
"I have always tried to avoid talking to pretty girls, because pretty girls have a vicious effect on me in which every part of my brain is shut down except for the part that says unbelievably stupid things and the part that is aware that I am saying unbelievably stupid things."
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