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"How do you calculate upon the unforeseen? It seems to be an art of recognizing the role of the unforeseen, of keeping your balance amid surprises, of collaborating with chance, of recognizing that there are some essential mysteries in the world and thereby a limit to calculation, to plan, to control."
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"War is only one facet of the larger problem of evil which has been with the human race since the beginning . . .This same evil tried to destroy the greatest human being who ever lived, nailing Him to a cross."

"Heaven is a wonderful place and the benefits for the believer are out of this world!"

"God does not want an apartment in our house. He claims our entire home from attic to cellar."

"Thought, if I may put it, is the man behind the possession, appearance, things we like, things we hate and the very epitome of life."

"We should not covet or expect the praise of ungodly men . . . the very fact that they are inclined to persecute us is proof that we are “not of the world."

"A philosopher once asked, "Are we human because we gaze at the stars, or do we gaze at them because we are human?" Pointless, really..."Do the stars gaze back?" Now, that's a question."

"Heavenly rest will be so refreshing that we will never feel that exhaustion of mind and body we so frequently experience now. I'm really looking forward to that."

"It is what it is because you let it be so."

"I am the creation of love.I am the source of love.I am the beginning of love.I like to vanish in love."

"I believe there is an obedience to the Gospel, there is a self-denial and a bearing of the cross, if you are to be a follower of Christ. Being a Christian is a serious business."
Explore more quotes by Rebecca Solnit


"Part of what makes roads, trails and paths so unique as built structures is that they cannot be perceived as a whole all at once by a sedentary onlooker. They unfold in time as one travels along them, just as a story does as one listens or reads, and a hairpin turn is like a plot twist, a steep ascent a building of suspense to the view at the summit, a fork in the road an introduction of a new storyline, arrival the end of the story. Just as writing allows one to read the words of someone who is absent, so roads make it possible to trace the route of the absent. Roads are a record of those who have gone before and to follow them is to follow people who are no longer there."


"You may be told that the legal decisions lead the changes, that judges and lawmakers lead the culture in those theaters called courtrooms, but they only ratify change. They are almost never where change begins, only where it ends up, for most changes travel from the edges to the center."


"Building a museum case and filling it with types of mussels is one way of knowing mussels; but on the shore, a mussel leads to a crab or a curious stone, which leads to another thing and eventually leads back to mussels, which is another and perhaps a more far-reaching way to know mussels. The sea that always seems like a metaphor, but one that is always moving, cannot be fixed, like a heart that is a like a tongue that is like a mystery that is like a story that is like a border that is like something altogether different and like everything at once. One thing leads to another, and this is the treasure that always runs through your fingers and never runs out."


"Suddenly I came out of my thoughts to notice everything around me again-the catkins on the willows, the lapping of the water, the leafy patterns of the shadows across the path. And then myself, walking with the alignment that only comes after miles, the loose diagonal rhythm of arms swinging in synchronization with legs in a body that felt long and stretched out, almost as sinuous as a snake when you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains."


"The revolution that counts is the one that takes place in the imagination; many kinds of change issue forth thereafter, some gradual and subtle, some dramatic and conflict-ridden--which is to say that revolution doesn't necessarily look like revolution."


"The battle with Men Who Explain Things has trampled down many women - of my generation, of the up-and-coming generation we need so badly, here and in Pakistan and Bolivia and Java, not to speak of the countless women who came before me and were not allowed into the laboratory, or the library, or the conversation, or the revolution, or even the category called human."


"I'd wrestled against the inner voice of my mother, the voice of caution, of duty, of fear of the unknown, the voice that said the world was dangerous and safety was always the first measure and that often confused pleasure with danger, the mother who had, when I'd moved to the city, sent me clippings about young women who were raped and murdered there, who elaborated on obscure perils and injuries that had never happened to her all her life, and who feared mistakes even when the consequences were minor. Why go to Paradise when the dishes aren't done? What if the dirty dishes clamor more loudly than Paradise?"
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