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"Before her marriage she had thought that she had love within her grasp; but since the happiness which she had expected this love to bring her hadn't come, she supposed she must have been mistaken. And Emma tried to imagine just what was meant, in life, by the words "bliss, "passion, and "rapture - words that had seemed so beautiful to her in books."
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"Love is needing someone. Love is putting up with someone's bad qualities because they somehow complete you."

"The saddest thing is that every love has an unhappy ending, and all the more unhappy in proportion to how divinely it began, with what wings it first took flight."

"Love is hope and expectation. If many want to pencil it in, some don't dare to ink it in, because love also means mystery and enigma. [' Love as dizzy as a cathedral']"

"You want to take me to a movie?" I asked. "Well, not really," he said. "What I really want is for you to be my girlfriend. But I thought saying that might scare you off."

"Can you blame me, my dear, for looking on this attachment as a romantic folly inspired by that cursed Shakespeare who will poke his nose where he is not wanted?"
Explore more quotes by Gustave Flaubert

"Better to work for yourself alone. You do as you like and follow your own ideas, you admire yourself and please yourself: isn't that the main thing? And then the public is so stupid. Besides, who reads? And what do they read? And what do they admire?"

"But her life was as cold as an attic facing north; and boredom, like a silent spider, was weaving its web in the shadows, in every corner of her heart."

"There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things."

"Perhaps she would have liked to confide all these things to someone. But how tell an undefinable uneasiness, variable as the clouds, unstable as the winds? Words failed her-the opportunity, the courage."

"The only way to avoid being unhappy is to close yourself up in Art and to count for nothing all the rest."

"He was savoring for the first time the ineffable subtleties of feminine refinement. Never had he encountered this grace of language, this quiet taste in dress, these relaxed, dove like postures. He marveled at the sublimity of her soul and at the lace on her petticoat. With her ever-changing moods, by turns brooding and gay, chattering and silent, fiery and casual, she aroused in him a thousand desires, awakening instincts or memories. She was the amoureuse of all the novels, the heroine of all the plays, the vague "she" of all the poetry books."
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