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Jim Henson

"But with The Dark Crystal, instead of puppetry we're trying to go toward a sense of realism - toward a reality of creatures that are actually alive and we're mixing up puppetry and all kinds of other techniques."

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"But with The Dark Crystal, instead of puppetry we're trying to go toward a sense of realism - toward a reality of creatures that are actually alive and we're mixing up puppetry and all kinds of other techniques."

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Amber Hurdle

"The barren branches may appear inelegant: They are, to the cook, the means to make his fire."

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Amber Hurdle

"She knows herself to be at the mercy of events, and she knows by now that events have no mercy."

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Amber Hurdle

"Cat can have kittens in the oven, girl, but that won't ever make em muffins."

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Amber Hurdle

"It may seem so easy to take it easy but, it is never so easy to take it easy."

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Amber Hurdle

"Real problems can't be fixed with a motivational poster, a cute quote or a pat on the back."

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Amber Hurdle

"Expectations are at war, if good feeling and discomfort clash. When we are expecting zest and joy, our good karma may be ousted by distress and frustration, if negative downbeat waves are emitted. Just with a feel of realism, without prejudice, should we step into the future. What will be, will be. Only the fortune of war will tell, since life may be war or peace. ['Fish for silence.']"

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Amber Hurdle

"I don't see what's so triffic about creating people as people and then gettin' upset 'cos they act like people."

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Amber Hurdle

"Remember to get the weather in your damn book--weather is very important."

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Amber Hurdle

"Never go for someone that represents something that is more of a fantasy than reality in this crazy world of lonely people, unless it is for the shortest time possible, and unless you have clearly figured out an exit strategy."

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Jim Henson
"The most sophisticated people I know - inside they are all children."
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Jim Henson
"It has always been difficult to get Big Bird to be very pretty. Big Bird in England is much more gorgeous."
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Jim Henson
"Yeah, we pretty much had a form and a shape by that time - a style - and I think one of the advantages of not having any relationship to any other puppeteer was that it gave me a reason to put those together myself for the needs of television."
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Jim Henson
"Yeah, I did some small parts in high school and the first year of college and then fairly soon thereafter I settled into the backstage scenery, and then at the University of Maryland I was doing posters for their productions."
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Jim Henson
"At the time of Polaroid - and I did a couple of other commercials just before I stopped doing that stuff - at that point I was at the level where they respect you and your opinion and all that sort of thing."
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Jim Henson
"I do remember doing shows strictly in black and white, too, so you're right."
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Jim Henson
"It's into the same bag as E.T. and Yoda, wherein you're trying to create something that people will actually believe, but it's not so much a symbol of the thing, but you're trying to do the thing itself."
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Jim Henson
"Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one."
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Jim Henson
"If anything, there's a difference in working with color in England and the color in the US."
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Jim Henson
"When I was young, my ambition was to be one of the people who made a difference in this world. My hope is to leave the world a little better for having been there."
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