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"But with The Dark Crystal, instead of puppetry we're trying to go toward a sense of realism - toward a reality of creatures that are actually alive and we're mixing up puppetry and all kinds of other techniques."
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"In creating the Harry Potter artwork, I try to bring a certain amount of realism and believability to the characters and setting, but still add an element of wonder and the unknown."

"Their reality was far more interesting than any idealized version could possibly be."

"Expectations are at war, if good feeling and discomfort clash. When we are expecting zest and joy, our good karma may be ousted by distress and frustration, if negative downbeat waves are emitted. Just with a feel of realism, without prejudice, should we step into the future. What will be, will be. Only the fortune of war will tell, since life may be war or peace. ['Fish for silence.']"

"In meetings philosophy might work,on the field practicality works."

"In India everything has a use and a value."

"Sometimes it is not right to wait for the right train. Take any train instead of rotting at the station! In other words, be realistic!"

"I looked for any footmarks of course, but naturally, with all this rain, there wasn't a sign. Of course, if this were a detective story, there'd have been a convenient shower exactly an hour before the crime and a beautiful set of marks which could only have come there between two and three in the morning, but this being real life in a London November, you might as well expect footprints in Niagara. I searched the roofs right along-and came to the jolly conclusion that any person in any blessed flat in the blessed row might have done it."

"Remember to get the weather in your damn book--weather is very important."
Explore more quotes by Jim Henson

"We thought it would be fun to try to design a show that would work well internationally and so that' s what we're intending to do with Fraggle Rock, and we are indeed now selling it around the world."

"There was a little afternoon show that was called Afternoon. Back in those days in television, most local stations had a midday show for housewives that had a series of things. It was like a variety show for midday."

"Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the time I got to my own show, but I remember that they put me under contract at $100 a week, which to me was really an astronomical price."

"It's into the same bag as E.T. and Yoda, wherein you're trying to create something that people will actually believe, but it's not so much a symbol of the thing, but you're trying to do the thing itself."

"If you're doing a large, complicated character with radio controls, it might take a number of people several months to make it and if you're talking about a quick little hand puppet, it could be made in 2 days, so there's enormous range there, and no real easy generalities."

"Yeah, I did some small parts in high school and the first year of college and then fairly soon thereafter I settled into the backstage scenery, and then at the University of Maryland I was doing posters for their productions."

"When I was a kid, I never saw a puppet show. I never played with puppets or had any interest in them."

"At the time of Polaroid - and I did a couple of other commercials just before I stopped doing that stuff - at that point I was at the level where they respect you and your opinion and all that sort of thing."
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