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Robert Towne

"It made me alive to the fact that the most important thing sometimes is what isn't said - to prepare for moments of revelation that can be read entirely on actors' faces without dialogue."

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"It made me alive to the fact that the most important thing sometimes is what isn't said - to prepare for moments of revelation that can be read entirely on actors' faces without dialogue."

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Amber Hurdle

"For a child actor, it's a matter of listening, reacting, and being able to put yourself in a new place without being scared."

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Amber Hurdle

"Yes, it is a rehearsed show, yes, it was analogy of going to see a play at the theatre, where everything has to be in place and whole things, everything being works, all works together to get the best effect you know it's more like an actor learning a part."

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Amber Hurdle

"The best research for playing a drunk is being a British actor for 20 years."

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Amber Hurdle

"Directors, like actors, get typecast."

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Amber Hurdle

"What the Bleep Do We Know was not written with a deaf person in mind, but when they met me, it clicked with them to have me in it. But that happens with a lot of actors in Hollywood, not just with me."

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Amber Hurdle

"To my way of thinking, an actor's course is set even before he's out of the cradle."

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Amber Hurdle

"Being a good actor isn't easy. Being a man is even harder. I want to be both before I'm done."

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Amber Hurdle

"We've had no problems with the actors, but we keep a really loose set."

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Amber Hurdle

"I've been on jobs where there's that one actor who is just a miserable, miserable no-good, dirty bastard, and it just turns the whole process sour."

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Amber Hurdle

"Being a working actor, you're going to do a Spelling show. It's hard not to."

Explore more quotes by Robert Towne

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Robert Towne
"If you have a good ear for dialogue, you just can't help thinking about the way people talk. You're drawn to it. And the obsessive interest in it forces you to develop it. You almost can't help yourself."
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Robert Towne
"But time has caught up with it and I think vindicated it. Shampoo, too: very dark, very ambitious movie."
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Robert Towne
"Of course I'm respectable. I'm old. Politicians, ugly buildings, and whores all get respectable if they last long enough."
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Robert Towne
"It was not possible to film in California, because all the areas are heavily built up now. Coming to Cape Town is an invitation to step into the past and recreate Los Angeles of the 1930s."
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Robert Towne
"But, uh, censorship at that time said that you just absolutely couldn't do anything involving children and so we had to go from there. I don't remember what I changed it to. Duvall is just excellent in it."
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Robert Towne
"And I think one way or another it's evident to those who work with me that as a writer, a director, a friend, as somebody's there that's very anxious to get the movie made."
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Robert Towne
"I think that those are the things that you can uniquely do with film that are difficult to do anywhere else: they can bring a picture to life, give it a natural and historical context and make you feel that everything else is suddenly credible."
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Robert Towne
"You're torn between wanting to fill in all the spaces and knowing that's really going to screw up the screenplay. And yet, how are you going to communicate it to people who really don't understand the process?"
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Robert Towne
"I'm excited and encouraged to see people getting involved with their public lands and forests. We really need the public's help to repair these heavily used recreation sites."
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Robert Towne
"One of the reasons for going back into the past is that it's almost the only place that there's any drama."
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