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"I don't want the words to be naked the way they are in faxes or in the computer. I want them to be covered by an envelope that you have to rip open in order to get at. I want there to be a waiting time -a pause between the writing and the reading. I want us to be careful about what we say to each other. I want the miles between us to be real and long. This will be our law -that we write our dailiness and our suffering very, very carefully."
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Exlpore more Expression quotes
"You're free to wear whatever you want, you know."
"Something must go within to bring what is within out. Oh yes! You need something within to bring what is within out!"
"Express your feelings, no matter what. Make your every word beautiful, bright, and lovely. Make your every thought creative, caring, and lively."
"At any moment, you can use your face to open doors of opportunity if it demonstrates interest, enthusiasm, respect, understanding, delight, agreement, and more."
"A waterfall cannot be silent, just as the wisdom! When they speak, the voice of power speaks!"
"The thing that I fear discriminating against is humor and truth."
"When a man talks from the heart, in his moment of truth, he speaks poetry."
"If words are the truth, what is living for?"
"Words can be honed to crafted perfection by the finest wordsmiths. Yet, if we trust solely in the expanse of them to explain this God of ours or articulate our experience of Him, we will have brutally destroyed the very things we are attempting to explain. And if I should do that, no words can describe how badly I wish I had no words."
"I read so I might live a thousand lives in a lifetime. I write to control the particulars in those lives."
Explore more quotes by Siri Hustvedt
"But all attractions are alike,' he said. 'They come from an emptiness inside.' He hammered on this chest with his index finger. 'Something's missing and you have to fill it. Books, paintings, people, they're all the same...''A lot of people do without books and paintings.''True,' he said, 'but that doesn't affect the argument.' Paris turned his head to one side and chewed on his lip. 'Of course, nothing ever does the trick. Nobody's really satisfied for long."
"If something's not working, it's wonderful to have a reader you can trust to say, 'Actually, you've gone off the deep end here'."
"It may be that I link every library to that first one - to my early childhood experience of drawing on the floor near my father's desk. A library is of course a real place, but it is also an unreal one. What happens there is mostly silent. I think I've always liked the whispering aspect of libraries, the hushing librarians and my feeling of solitude among many."
"Immigration inevitably involves error and revision. What I imagined it would be, it's not. For better or worse, some mistake is unavoidable."
"In effect, painting is the still memory of [the artist's] human motion, and our individual responses to it depend on who we are, on our character, which underlines the simple truth that no person leaves himself behind in order to look at a painting."
"Artists are cannibals. We consume other artists, and they become part of us-flesh and bone-only to be spewed out again in our own works."
"That is the strangeness of language: it crosses the boundaries of the body, is at once inside and outside, and it sometimes happens that we don't notice the threshold has been crossed."
"I imagined Stephen's companion was a beautiful woman. Her form and coloring changed with my moving thoughts, but the idea that she existed remained to nag at me, and even though she was only a spook of my jealousy, I couldn't stop the surge of fantasies about her and Stephen. By the time I left the library, I had invented several elaborate plots involving the two of them."
"What she remembered is undoubtedly something so radically different from the image I gave to her memory that the two may be incompatible."
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