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"The various forms of intellectual activity which together make up the culture of an age, move for the most part from different starting-points, and by unconnected roads."
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"Hesitation increases in relation to risk in equal proportion to age."

"Admiration of the proletariat, like that of dams, power stations, and aeroplanes, is part of the ideology of the machine age."

"To teach how to live without certainty and yet without being paralysed by hesitation is perhaps the chief thing that philosophy, in our age, can do for those who study it."

"No woman should ever be quite accurate about her age. It looks so calculating."

"In the age of the individual's liquidation, the question of individuality must be raised anew."

"Wives are young men's mistresses, companions for middle age, and old men's nurses."

"Age imprints more wrinkles in the mind than it does on the face."
Explore more quotes by Walter Pater

"Art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass."

"Great passions may give us a quickened sense of life, ecstasy and sorrow of love, the various forms of enthusiastic activity, disinterested or otherwise, which comes naturally to many of us."

"The various forms of intellectual activity which together make up the culture of an age, move for the most part from different starting-points, and by unconnected roads."

"Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is more and what is less excellent in them, or to use words like beauty, excellence, art, poetry, with a more precise meaning than they would otherwise have."

"Philosophical theories or ideas, as points of view, instruments of criticism, may help us to gather up what might otherwise pass unregarded by us."

"No account of the Renaissance can be complete without some notice of the attempt made by certain Italian scholars of the fifteenth century to reconcile Christianity with the religion of ancient Greece."

"What is important, then, is not that the critic should possess a correct abstract definition of beauty for the intellect, but a certain kind of temperament, the power of being deeply moved by the presence of beautiful objects."

"Not to discriminate every moment some passionate attitude in those about us, and in the very brilliancy of their gifts some tragic dividing on their ways, is, on this short day of frost and sun, to sleep before evening."
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