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"I had been writing fiction since I was in eighth grade, because I loved it."
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"Villainessa Tittel was a hired killer, an assassin by trade. She had enjoyed the best education and had been trained by assassins who had (until then at least) been considered the best in the business. She had turned to 'cleaning' as an occupation because she really enjoyed endings more than beginnings " and anyway, she didn't need to know her mark's entire pedigree or life's story, or to have some kind of facetious moral justification just to collect her fee. Unsurprisingly, when she did read " on those rare occasions " her books were always dog-eared from the back."

"Fiction is experimentation; when it ceases to be that, it ceases to be fiction."

"I got nice rejections explaining that historical fiction was a difficult sell. But I kept trying."

"Ripley is married. And he's not lost. He has his feet on the ground."

"But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel...it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended."

"In camp was found a book, the first of the kind I had ever seen, in which I was made a great hero, slaying Indians by the hundreds."
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"I think we did a great job of putting together a program that would have made good e-books available had people been buying e-books in any real numbers."

"You have very accurately described the difficulty of presenting my books on film: many of my characters are alone most of the time, and when they do talk, what they say is mostly lies. That can make for a pretty confusing film."

"I held a variety of jobs - most notably ten years working in universities - and kept on writing."

"I don't think the problem is that people don't read enough mystery books, but that people don't read."

"It's important, I think, for a writer of fiction to maintain an awareness of the pace and shape of the book as he's writing it. That is, he should be making an object, not chattering."
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