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"I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time."
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"The condition you're in at this moment is the product of your previous thoughts, to change your condition, change your thoughts."
Personal Development

"A full mind is unlucky if a good idea comes to enter inside, an empty mind is unlucky if a bad idea comes to enter inside!"

"Anything that ends is a dream. This whole universe is a dream."

"A wise quote can only change a wise man! Therefore, wise sayings are for the wise men, not for the fools! The sunflowers turn their face toward the Sun, the fools, toward the darkness!"

"Simple things have greater power than the complicated things!"

"Don't ever rule out the option of U-turn in your life, because one day you will need it! The moment you realize that you are going to the wrong direction, turn to the right direction instantly, with a beautiful U-turn!"

"There is so much hope in a little flower and so many flowers in a little hope!"

"For those who wander in the depths, there is nothing deep!"

"It is not the jumps you made in your life but mostly the jumps you haven't made are the real source of regrets in your life!"

"Nobody is exempt from the surprises of life!"
Explore more quotes by Bille August

"It was a major dream come true at last. In many respects, Jerusalem is a very modern and important story about people in a period of transition, with all the unrest that permeates society on the eve of a new century. The big life issues are at stake."

"I was mostly interested in it as a theatrical film. Personally, I am not so interested in television, simply because I don't watch television myself. I'm into movies."

"She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film."

"I wanted to make Jerusalem as feature film. But we couldn't finance it only through theatrical release, we couldn't get all the money we needed. We had to get some money from television. So we said, ok, let's do it both ways. So we did it in four parts."

"From the beginning, we were prepared, we know how we would shoot and cut the two versions."

"The big difference is the size of the crew and the flexibility of shooting because of the size. I mean, it's crazy. So you can't improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility."

"It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it."

"We talked a lot about The Best Intentions and how we could shoot certain scenes in different ways with slightly different bits of dialogue and information, so that later on, we could cut the piece more easily and it would still feel complete, even though it was shorter."

"He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn't really like the shorter film."
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