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Annie Dillard

"One of the few things I know about writing is this:spend it all, shoot it, play it, lose it, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is a signal to spend it now. Something more will arise later, something better. These things fill from behind, from beneath, like well water."

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"One of the few things I know about writing is this:spend it all, shoot it, play it, lose it, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is a signal to spend it now. Something more will arise later, something better. These things fill from behind, from beneath, like well water."

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"For his heart was in his work, and the heart giveth grace unto every art."

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"One writes music because winter is eternal and because, if one didn't, the wolves and blizzards will be at one's throat all the sooner."

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"Not everyone who loves music can play the tune."

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"It is in this power of saying everything, and yet saying nothing too plainly, that the perfection of art consists."

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"The movies remind me of the Triangle Club at Princeton. I used to belong to it, and we always started out firm in our decision to create new and startling things. We always ended up by producing the same old show. In the beginning, our enthusiasm and ideals discarded as rubbish all the old fossilized plots."

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Akiroq Brost

"Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art."

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"The art of art, the glory of expression and the sunshine of the light of letters, is simplicity."

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"The whole art of teaching is only the art of awakening the natural curiosity of young minds for the purpose of satisfying it afterwards."

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Akiroq Brost

"I want to see thirstIn the syllables,Tough fireIn the sound;Feel through the darkFor the scream."

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Annie Dillard
"I smelled silt on the wind, turkey, laundry, leaves . . . my God what a world. There is no accounting for one second of it (267)."
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Annie Dillard
"The most demanding part of living a lifetime as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one's own most intimate sensitivity."
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Annie Dillard
"Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles."
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Annie Dillard
"Writing every book, the writer must solve two problems: Can it be done? and, Can I do it? Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles."
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Annie Dillard
"I was in no tent under leaves, sleepless and glad. There was no moon at all; along the world's coasts the sea tides would be springing strong. The air itself also has lunar tides; I lay still. Could I feel in the air an invisible sweep and surge, and an answering knock in the lungs? Or could I feel the starlight? Every minute on a square mile of this land one ten thousandth of an ounce of starlight spatters to earth. What percentage of an ounce did that make on my eyes and cheeks and arms, tapping and nudging as particles, pulsing and stroking as waves?"
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Annie Dillard
"It has always been a happy thought to me that the creek runs on all night, new every minute, whether I wish it or know it or care, as a closed book on a shelf continues to whisper to itself its own inexhaustible tale."
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Annie Dillard
"The writer studies literature, not the world. He is careful of what he reads, for that is what he will write."
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Annie Dillard
"I woke in bits, like all children, piecemeal over the years. I discovered myself and the world, and forgot them, and discovered them again."
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Annie Dillard
"The dedicated life is worth living. You must give with your whole heart."
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Annie Dillard
"So it is that a writer writes many books. In each book, he intended several urgent and vivid points, many of which he sacrificed as the book's form hardened."
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