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"When I heard Monk in person in 1955, he was playing with a quartet in a small club. The place was full of musicians, but there was no public at all."
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"I think it was that we were really seasoned musicians. We had serious roots that spanned different cultures, obviously the blues."

"We're not like pop musicians who have to perform the same top ten tunes every night of a tour."
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"It's very important to go through periods where you sound just rotten and you know it, and you have to persevere or give up."


"It starts with a single sound. If there's something in that sound, then it's worth continuing."


"Play difficult and interesting things. If you play boring things, you risk losing your appetite. Saxophone can be tedious with too much of the same."


"Jazz is like wine. When it is new, it is only for the experts, but when it gets older, everybody wants it."


"If you have music you want to play that no one asks you to play, you have to go out and find where you can play it. It's called do or die."


"When I came up, it was all about originality and collective research. There is an awful lot of imitation going on now."


"When I found the music of Monk I finally found music that fit that horn. Every one of his tunes fit it perfectly."


"I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's up to you, the only limit is the imagination."
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