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Pierre Schaeffer

"First, it doesn't surprise me that traditional music has experienced a kind of exhaustion in the 20th century - not forgetting that many musicians started to look outside the traditional structures of tonality."

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"First, it doesn't surprise me that traditional music has experienced a kind of exhaustion in the 20th century - not forgetting that many musicians started to look outside the traditional structures of tonality."

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Amber Hurdle

"People today are still living off the table scraps of the sixties. They are still being passed around - the music and the ideas."

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Amber Hurdle

"This land is your land and this land is my land, sure, but the world is run by those that never listen to music anyway."

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Amber Hurdle

"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."

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Amber Hurdle

"Strains of music spring up, crystallizing in the night air like rain turning suddenly to snow, drifting to earth."

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Amber Hurdle

"And of course there's so much music in and around our family. I had a piano during Christmas because it's obviously useful through the season. There are so many people, songwriters, who are around."

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Amber Hurdle

"I knew the words to 25 rock songs, so I got in the group. Long Tall Sally and Tutti-Frutti, that got me in. That was my audition."

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Amber Hurdle

"Nothing pleases me more than to go into a room and come out with a piece of music."

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Amber Hurdle

"It was Elvis who really got me hooked on beat music. When I heard "Heartbreak Hotel" I thought, this is it."

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Amber Hurdle

"I had this song called Helter Skelter, which is just a ridiculous song. So we did it like that, 'cuz I like noise."

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Amber Hurdle

"I was about sixteen when I discovered that music could get you laid, so I got into music boy, didn't matter what you looked like either, you could be a geeky looking guy but if you played music, whoa, you'd get the girls."

Explore more quotes by Pierre Schaeffer

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Pierre Schaeffer
"In contrast, traditional classical music starts from an abstract musical schema. This is then notated and only expressed in concrete sound as a last stage, when it is performed."
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Pierre Schaeffer
"The world has just got more dangerous because the things we use have got more dangerous."
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Pierre Schaeffer
"Morally, the world is both better and worse than it was. We are worse off than in the middle ages, or the 17th and 18th centuries, in that we have the atomic menace."
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Pierre Schaeffer
"The moment at which music reveals its true nature is contained in the ancient exercise of the theme with variations. The complete mystery of music is explained right there."
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Pierre Schaeffer
"The impressionists, Debussy, Faure, in France, did take a few steps forward."
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Pierre Schaeffer
"The whole problem of the sound-work is distancing oneself from the dramatic."
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Pierre Schaeffer
"The only hope is that our civilization will collapse at a certain point, as always happens in history. Then, out of barbarity, a renaissance."
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Pierre Schaeffer
"Take a sound from whatever source, a note on a violin, a scream, a moan, a creaking door, and there is always this symmetry between the sound basis, which is complex and has numerous characteristics which emerge through a process of comparison within our perception."
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Pierre Schaeffer
"Sound is the vocabulary of nature."
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Pierre Schaeffer
"I'm very aware of what you're talking about as I was involved with the radio in Africa in the same period as I was doing Concrete - I was doing both at the same time."
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