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Joe Shuster

"Before I ever put anything on paper, Jerry and I would talk back and forth."

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"Before I ever put anything on paper, Jerry and I would talk back and forth."

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Amber Hurdle

"Talk is over-rated as a means of settling disputes."

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Amber Hurdle

"If I loved you less, I might be able to talk about it more."

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Amber Hurdle

"I mean normally you have your agent call the other agent and all the agents talk and then finally you get a phone call and you hear some misrepresentation of what someone else had to say."

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Amber Hurdle

"I'm guarded; I don't talk much."

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Amber Hurdle

"One of the things that I've come to understand is that as I talk a lot about Picard, what I find is that I'm talking about myself."

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Amber Hurdle

"We must not always talk in the market-place of what happens to us in the forest."

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Amber Hurdle

"If you talk about preemption you better know things rather than think things."

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Amber Hurdle

"You know, I think whatever a comic talks about onstage is all they talk about offstage."

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Amber Hurdle

"If a lion could talk, we could not understand him."

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Amber Hurdle

"You don't need many words if you already know what you're talking about."

Explore more quotes by Joe Shuster

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Joe Shuster
"I drew a picture on the back of a calendar in pencil. In those days they used to give out free calendars, I had no art paper, so I took whatever else I could."
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Joe Shuster
"In this drawing we just let our imagination run wild. We visualized Superman toys, games, and a radio show - that was before TV - and Superman movies. We even visualized Superman billboards. And it's all come true."
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Joe Shuster
"Jerry and I always felt that the character was enjoying himself. He was having fun: he wasn't taking himself seriously. It was always a lark for him, as you can see in my early drawings."
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Joe Shuster
"I was mild-mannered, wore glasses, was very shy with women."
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Joe Shuster
"Not only that, but when I first met Joe, to my intense delight, he showed me that he was a collector. He was collecting some of the early Tarzan pages by Hal Foster, and, later, early Flash Gordons; and I found that we were both absolutely interested in the same type of thing."
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Joe Shuster
"I did all the work at the beginning up until the point where I couldn't handle the increasingly heavy art production burden alone. I needed, and got, assistance."
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Joe Shuster
"And I agreed the feeling of action as he was flying or jumping or leaping - a flowing cape would give it movement. It really helped, and it was very easy to draw."
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Joe Shuster
"In the beginning, we had a great deal of freedom, and Jerry wrote completely out of his imagination - very, very freely. We even had no editorial supervision to speak of, because they were in such a rush to get the thing in before deadline. But later on we were restricted."
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Joe Shuster
"I think initially we wanted to use the first letter of the character's name. We thought S was perfect."
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Joe Shuster
"Jerry often says that Slam Bradley was really the forerunner of Superman, because we turned it out with no restrictions, complete freedom to do what we wanted; the only problem was that we had a deadline."
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