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Neil Jordan

"I took two years away from making films to write a novel."

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"I took two years away from making films to write a novel."

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Amber Hurdle

"For a writer it's a genuinely interesting and hopefully profitable era that makes a variety of books available to a variety of readers, extending both what's available and who gets to read it."

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Amber Hurdle

"I have no problem in moving a date one way or another or coming up with a subplot that gets my characters in (or out) of a fix more rambunctiously than the extant records show."

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Amber Hurdle

"Scotland consistently produces world-class writers."

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Amber Hurdle

"A writer writesregardless...even though...notwithstanding...despite...at any rate...anyhow...nevertheless...in the face of...undeterred by...heedless of...and because.The true writer simply continues to write."

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Amber Hurdle

"What I've learned about writing is that sometimes less is more, while often more is grander. And both are true."

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Amber Hurdle

"If you read something, what you have written you ain't gonna like it...- It sounds horrible... so write don't read your own stuff."

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Amber Hurdle

"Actually, I enjoy the process of writing a big long novel."

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Amber Hurdle

"If you want to be a good writer, internalize the good writers; absorb them; integrate with their souls; embrace their minds; mingle with their life stories; in short, merge with them, lose yourself in them!"

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Amber Hurdle

"This report, by its very length, defends itself against the risk of being read."

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Amber Hurdle

"I've always considered writing the most hateful kind of work. I suspect it's a bit like fucking, which is only fun for amateurs. Old whores don't do much giggling."

Explore more quotes by Neil Jordan

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Neil Jordan
"It's nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do."
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Neil Jordan
"I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like."
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Neil Jordan
"Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy."
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Neil Jordan
"I'm less comfortable making American movies because I don't know them so well."
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Neil Jordan
"In Dreams... well, I was slightly overcompensating with that. I was a bit like a director for hire, so maybe I was putting too much imagery that was familiar to me into it."
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Neil Jordan
"Well, Company of Wolves was about that literally, about fairy tales."
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Neil Jordan
"The Company of Wolves is about how society teaches young women to look at themselves, and what to be afraid of. It's about a girl learning that the world of sensuality and the unknown is not to be feared, that it's worth getting your teeth into."
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Neil Jordan
"I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book."
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Neil Jordan
"It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated."
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Neil Jordan
"The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?"
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