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Anais Nin

"I looked at it [revolver] as if it reminded me of a crime I had committed with an irrepressible smile such as rises sometimes to people's lips in the face of great catastrophes which are beyond their grasp, the smile that comes at times on certain women's faces while they are saying they regret the harm they have done. It is the smile of nature quietly and proudly asserting its natural right to kill."

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"I looked at it [revolver] as if it reminded me of a crime I had committed with an irrepressible smile such as rises sometimes to people's lips in the face of great catastrophes which are beyond their grasp, the smile that comes at times on certain women's faces while they are saying they regret the harm they have done. It is the smile of nature quietly and proudly asserting its natural right to kill."

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"I have a fantasy where Ted Turner is elected President but refuses because he doesn't want to give up power."

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"There is none made so great, but he may both need the help and service, and stand in fear of the power and unkindness, even of the meanest of mortals."

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"...without money you cannot fight money."

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"When you win, the rules change, and you find you've lost."

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"The soul fire determines the strength of the spirit."

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"The strongest and most effective force in guaranteeing the long-term maintenance of power is not violence in all the forms deployed by the dominant to control the dominated, but consent in all the forms in which the dominated acquiesce in their own domination."

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"The shield of faith is sword to conquer every fear."

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Anais Nin
"Luxury is not a necessity to me, but beautiful and good things are."
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Anais Nin
"We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it... We write to expand our world when we feel strangled, or constricted, or lonely."
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Anais Nin
"And the time came when the risk to remain tight in a bud was more painful than the risk it took to blossom."
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Anais Nin
"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."
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Anais Nin
"When she closed her eyes she felt he had many hands, which touched her everywhere, and many mouths, which passed so swiftly over her, and with a wolflike sharpness, his teeth sank into her fleshiest parts. Naked now, he lay his full length over her. She enjoyed his weight on her, enjoyed being crushed under his body. She wanted him soldered to her, from mouth to feet. Shivers passed through her body."
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Anais Nin
"Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born."
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Anais Nin
"Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives."
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Anais Nin
"I must be a mermaid, Rango. I have no fear of depths and a great fear of shallow living."
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Anais Nin
"I am a woman first of all. At the core of my work was a journal written for the father I lost, loved and wanted to keep. I am personal. I am essentially human, not intellectual. I do not understand abstract act. Only art born of love, passion, pain."
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Anais Nin
"The potion drunk by lovers is prepared by no one but themselves. The potion is the sum of one's whole existence."
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