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"There's a certain kind of motion and pacing that our music has, and this just doesn't have that. We just kind of rushed to the conclusion of most of the songs. I just would've preferred to done them over."
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"I think I first realized I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time. I was 11 and I had this demo CD of me singing Dixie Chicks and Leanne Rimes songs."

"Music when healthy, is the teacher of perfect order, and when depraved, the teacher of perfect disorder."

"When there's music in your soul, there's soul in your music."

"Well I guess my music came to prominence around one piece called 'In C' which I wrote in 1964 at that time it was called 'The Global Villages for Symphonic Pieces', because it was a piece built out of 53 simple patterns and the structure was new to music at that time."

"A friend of mine, that I had known for some time, came up one day with an old guitar. I don't know where he got it, I don't know how long he'd had it, but he knew about two chords on it. He proceeded to teach them to me, and then we proceeded to go crazy over music."

"I want to do a musical movie. Like Evita, but with good music."

"I am pretty detached from the local music crowd though."
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"One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else."

"I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself."

"The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula."

"If you listen to a lot of the songs that are popular now, there's very little melody in there. People love the beat. But to musicians, it's melody, because we understand how elusive it is and how hard it is to hold."

"I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company."

"That's kind of like how jazz is sometimes. You're out there predicting the future, and no one believes you."

"If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?"

"I like to make records sound good. I'm more like a reducer than a producer. If an artist cannot produce themselves, what's the point?"

"When you're dealing with music without words, titles are more a means of identification than anything else. What's the point of getting lofty?"
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