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"I always imagined that to bring an orchestra to play together is not enough for a conductor."
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"Hey, pretty book, why don't you lie in my lap awhile?"


"There's another girl who was going to play Hilary Faye and luckily she wound up not doing it."
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"Wherever there are rock 'n' rollers, we'll play. That's what we've been doing for more than 30 years - rock 'n' roll. It's made me everything from an honorary mayor to honorary member of a motorcycle gang."


"I realized by using the high notes of the chords as a melodic line, and by the right harmonic progression, I could play what I heard inside me. That's when I was born."
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"At the age of 16, something happened with my finger and the doctor told me, you never can be a organist or pianist, so think about what you do with music."

"Very often, if I know the orchestra doesn't know a piece or it's a new piece, I have main ideas about it. But then we start to play and I never talk about places where they played so beautiful and so clear in the beginning that there is nothing to say."

"In South America, I heard the 8th Symphony of Beethoven. And the young conductor thought, Beethoven must be heroic. But this is piece which shouldn't be heroic. And this was such a misunderstanding, such a deep misunderstanding."

"If you go to Japan for instance, you should know that they have a different way of playing Beethoven or Brahms. But if you play with them Mozart, Debussy, Mendelssohn, they have a wonderful light feeling for that."

"As I came to New York, it was for me a new beginning. To discover what people are living here. What do they need, what do they expect, what would they like to be the image and the performance of the New York Philharmonic?"

"You know as I started as a shy young conductor, I always wanted to cooperate. To build up the musicians. To help them to be better than without a conductor. And sometimes young talented musicians have to be encouraged."

"I can go in front of an orchestra. I can go in front of an audience. But if you see me walking through an audience in the reception or through a lot of people, I'm still shy."

"Even my family laughed at me because they thought this young guy who's always stuttering in front of other people should be in front of 100 musicians and talk to them and leading them."

"You have to change your mind with every orchestra because every orchestra has a different character."
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