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Ray Harryhausen, the visionary American filmmaker and pioneer of stop-motion animation, brought fantastical creatures and epic adventures to life on the silver screen with his groundbreaking special effects work in classic films like "Jason and the Argonauts" and "Clash of the Titans." Through his innovative techniques and imaginative storytelling, Harryhausen's legacy continues to inspire filmmakers and audiences alike, reminding us of the enduring magic of cinema and the power of imagination to transport us to distant worlds and mythical realms.
"I was very limited in what I could do with flying saucers, because they're just a metal disc. I had to try and put character in as if they were intelligently guided."
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"I was very limited in what I could do with flying saucers, because they're just a metal disc. I had to try and put character in as if they were intelligently guided."

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"I had to learn to do everything because I couldn't find another kindred soul. Now you see eighty people listed doing the same things I was doing by myself."
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"I had to learn to do everything because I couldn't find another kindred soul. Now you see eighty people listed doing the same things I was doing by myself."

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"I took courses at USC in film editing and art direction and photography when I was still in high school."
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"I took courses at USC in film editing and art direction and photography when I was still in high school."

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"I brought in the stories many times. I don't just do animation."
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"I brought in the stories many times. I don't just do animation."

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"I prefer to work alone and do everything alone, even today."
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"I prefer to work alone and do everything alone, even today."

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"That's why I never became a director. I never had patience with people."
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"That's why I never became a director. I never had patience with people."

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"I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires."
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"I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires."

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"Many times I felt like I'd do better than what the director did, but some of them got a little discouraged because they didn't have full charge of making the film, and sometimes there'd be battles of egos."
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"Many times I felt like I'd do better than what the director did, but some of them got a little discouraged because they didn't have full charge of making the film, and sometimes there'd be battles of egos."

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"So our films had a lot more to them than entertainment value, and I'm glad that a lot of people recognize that now. People realize now the value of them as educational."
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"So our films had a lot more to them than entertainment value, and I'm glad that a lot of people recognize that now. People realize now the value of them as educational."

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