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Bruce Beresford

"Tender Mercies is a very low-budget film, but it was a huge budget compared to anything I had done in Australia. My fee for Tender Mercies was something like five times all of my Australian films combined."

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"Tender Mercies is a very low-budget film, but it was a huge budget compared to anything I had done in Australia. My fee for Tender Mercies was something like five times all of my Australian films combined."

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Amber Hurdle

"I'm more likely to lose my temper on a film set than almost anywhere. Often the level of idiocy is so exalted that it's impossible to comprehend."

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Amber Hurdle

"Sometimes it's difficult directing yourself on film because you can't quite separate yourself from the subject."

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Amber Hurdle

"There's no point in making a film out of a great book. The book's already great. What's the point?"

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Amber Hurdle

"I also paint, draw and I'm into film and photography as well, and the same thing applies to all of them. You're presenting this material to the general public and hoping that they're going to 'get' what you're doing. Some don't, some do."

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Amber Hurdle

"I can't do a film if I don't start with the writing."

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Amber Hurdle

"If you don't generate tension in the film to begin with... you can't really make a purse out of a sow's ear, you know."

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Amber Hurdle

"In any film there's always a historical implication."

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Amber Hurdle

"I see Igby as my first movie as an adult, and it's a big deal for me because I really, really like the film."

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Amber Hurdle

"I got five kids, and my oldest is a documentary film maker and camera man, and still photographer."

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Amber Hurdle

"Altman works in such an interesting way, letting things occur in the film even if he didn't particularly plan them."

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Bruce Beresford
"When we were trying to get the money for Driving Miss Daisy, everyone kept saying no one could direct it well enough to entertain an audience for 100 minutes essentially watching three people chatting in the kitchen."
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Bruce Beresford
"On stage, the audience watches from a fixed viewpoint and the director cannot retake something he doesn't like. It has to work straight through."
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Bruce Beresford
"In opera, everyone's watching from a fixed viewpoint, and that really challenges you. Lighting, the sets, stage groupings, the music-but doesn't relate too much to film."
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Bruce Beresford
"Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico."
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Bruce Beresford
"In my view, the operas of Carlisle Floyd will find a place in the permanent repertoire."
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Bruce Beresford
"With Cold Sassy Tree having its first production, I saw no necessity to do anything other than produce it with the correct setting."
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Bruce Beresford
"In Australia, they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films."
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Bruce Beresford
"Film is shot in fragments, and the same moments can be shot again and again until the director is satisfied."
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Bruce Beresford
"The music of the most popular operas is so highly esteemed, it can stand endless revivals."
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Bruce Beresford
"With a film, I do my best to understand the author's intentions and try to bring the characters to life."
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