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Alain Resnais

"I saw part of The Singing Detective on TV in New York. I said, Something is going on here."

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"I saw part of The Singing Detective on TV in New York. I said, Something is going on here."

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"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."

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"When you direct your first film, you always start by telling stories that you are familiar with."

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"How would you like to find out how good my right is?"

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"It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say."

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"But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing."

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"I'm not interesting enough on my own that you'd want to see a film about me."

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"The existing documentary makers still believe that it is impossible to produce drama material in this State, otherwise they would be doing it, they say."

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"You wouldn't ask Rodin to make an ugly sculpture, or me to make a film with an ugly woman."

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"I always approach film as a fan."

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Alain Resnais
"Oh, yes, that never happened to me in my life before. It was a risky film, and I warned the producer."
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Alain Resnais
"There was a darkness, a melancholy, that people had trouble accepting. Maybe now, it would work better."
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Alain Resnais
"Since we had little money and few documents, we had nothing."
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Alain Resnais
"That's easy to answer: I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film."
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Alain Resnais
"I never thought of becoming a director. When I was twelve, the passage from silent film to the talkies had an impact on me - I still watch silent films."
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Alain Resnais
"I'd even say it's a realistic film because that's the way it happens in our heads; that was the idea."
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Alain Resnais
"I am never driven. Every film I've made has been an assignment."
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Alain Resnais
"Luck, I never looked to make difficult movies on purpose. You make the films you can make."
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Alain Resnais
"So I used formal techniques to make the film more perceptive emotionally."
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Alain Resnais
"The present and the past coexist, but the past shouldn't be in flashback."
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