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Alain Resnais

"I saw part of The Singing Detective on TV in New York. I said, Something is going on here."

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"I saw part of The Singing Detective on TV in New York. I said, Something is going on here."

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Amber Hurdle

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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Amber Hurdle

"It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable."

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Amber Hurdle

"I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing."

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Amber Hurdle

"I lived in Vancouver, where they film so many things. So it gave me a good shot at it."

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Amber Hurdle

"I've never made a film using dialogue or speech."

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Amber Hurdle

"I'm a film doll. But I'm enjoying it. So I'm gonna keep doing it."

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Amber Hurdle

"Looper is another great film."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"I prefer film and that's what I think I'm gonna put my focus on."

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Amber Hurdle

"My husband. He keeps me grounded. If I were in the world on my own, it would all be much more seductive. But I'm in a relationship that has nothing to do with the film world."

Explore more quotes by Alain Resnais

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Alain Resnais
"Luck, I never looked to make difficult movies on purpose. You make the films you can make."
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Alain Resnais
"The present and the past coexist, but the past shouldn't be in flashback."
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Alain Resnais
"Oh, yes, that never happened to me in my life before. It was a risky film, and I warned the producer."
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Alain Resnais
"I am never driven. Every film I've made has been an assignment."
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Alain Resnais
"I'd even say it's a realistic film because that's the way it happens in our heads; that was the idea."
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Alain Resnais
"Since we had little money and few documents, we had nothing."
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Alain Resnais
"That's easy to answer: I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film."
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Alain Resnais
"I never thought of becoming a director. When I was twelve, the passage from silent film to the talkies had an impact on me - I still watch silent films."
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Alain Resnais
"There was a darkness, a melancholy, that people had trouble accepting. Maybe now, it would work better."
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Alain Resnais
"So I used formal techniques to make the film more perceptive emotionally."
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