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Robert Creeley

"There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement."

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"There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement."

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Donna Grant

"You can wipe out your opponents. But if you do it unjustly you become eligible for being wiped out yourself."

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Donna Grant

"There is no duty we so much underrate as the duty of being happy. By being happy we sow anonymous benefits upon the world."

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Donna Grant

"There is more pleasure in loving than in being beloved."

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Donna Grant

"If a writer knows enough about what he is writing about, he may omit things that he knows. The dignity of movement of an iceberg is due to only one ninth of it being above water."

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Donna Grant

"Where every something, being blent together turns to a wild of nothing."

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Donna Grant

"Quit aspiring and dreaming and start being."

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Donna Grant

"How can a woman be expected to be happy with a man who insists on treating her as if she were a perfectly normal human being."

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Donna Grant

"Stop aspiring and start being. The world needs you!"

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Donna Grant

"I have the handicap of being born with a special language to which I alone have the key."

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Donna Grant

"To me, living in the present means being aware of your conscious choice to focus on the past, present or future - it is not necessarily having to focus on the present."

Explore more quotes by Robert Creeley

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Robert Creeley
"That poetry survived in its formal agencies finally, and that prose survived to get something said."
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Robert Creeley
"All of which was OK, as that proved then, I certainly wouldn't contradict it as a necessary sense of things."
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Robert Creeley
"Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!"
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Robert Creeley
"It's as though all the terms of a family were present at one time rather than his dad and his mum. Not just a present authority, but the resident memory of what qualifies what else is the case."
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Robert Creeley
"Don't name it, as they say, because instantly you offer it to this peculiar authority."
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Robert Creeley
"The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it."
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Robert Creeley
"It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on."
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Robert Creeley
"You were saying that once when visiting Yale, you were struck that unlike Pound, Williams's thinking was volatile, I mean, did not stay locked into a pattern of concepts that then defined his subsequent necessary behavior, whereas Pound did."
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Robert Creeley
"First you wonder if they're separate stories, but no, they're not, they're contingent stories and they form a pattern. And you begin with some of the island as the place to which the heroine of the book returns."
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Robert Creeley
"The pattern of the narrative never of necessity wants to end, it never has to."
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