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Robert Creeley

"There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement."

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"There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement."

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Amber Hurdle

"To me, living in the present means being aware of your conscious choice to focus on the past, present or future - it is not necessarily having to focus on the present."

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"Initiative is doing the right thing without being told."

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Amber Hurdle

"Being president is like being a jackass in a hailstorm. There's nothing to do but to stand there and take it."

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Amber Hurdle

"Alexander Hamilton started the U.S. Treasury with nothing, and that was the closest our country has ever been to being even."

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Amber Hurdle

"Being a hero is about the shortest-lived profession on earth."

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Amber Hurdle

"One cannot be deeply responsive to the world without being saddened very often."

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Amber Hurdle

"I have the handicap of being born with a special language to which I alone have the key."

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Amber Hurdle

"Good habits are worth being fanatical about."

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Amber Hurdle

"Where every something, being blent together turns to a wild of nothing."

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Amber Hurdle

"I didn't mind being unpopular at school, because everyone else was a heathen."

Explore more quotes by Robert Creeley

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Robert Creeley
"Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him."
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Robert Creeley
"The pattern of the narrative never of necessity wants to end, it never has to."
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Robert Creeley
"That poetry survived in its formal agencies finally, and that prose survived to get something said."
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Robert Creeley
"All of which was OK, as that proved then, I certainly wouldn't contradict it as a necessary sense of things."
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Robert Creeley
"The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it."
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Robert Creeley
"And what's fascinating in The Ten Thousand Things is that although there's time, an inexorable time of the three generations of lives, actively present, but place is the time, time doesn't really have to do with simply the human experience of it."
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Robert Creeley
"First you wonder if they're separate stories, but no, they're not, they're contingent stories and they form a pattern. And you begin with some of the island as the place to which the heroine of the book returns."
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Robert Creeley
"It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on."
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Robert Creeley
"It's as though all the terms of a family were present at one time rather than his dad and his mum. Not just a present authority, but the resident memory of what qualifies what else is the case."
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Robert Creeley
"The irony of our social group is that so often everyone feels this, but there's no company whatsoever in that feeling. Think of Pound's great emphasis, the way out is via the door."
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