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Jenny Agutter

"But John Landis wrote a good relationship which is really what the film's about. A very straightforward young woman who's very sure of herself and she meets a young man who needs some taking care of."

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"But John Landis wrote a good relationship which is really what the film's about. A very straightforward young woman who's very sure of herself and she meets a young man who needs some taking care of."

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"Picasso once remarked I do not care who it is that has or does influence me as long as it is not myself."

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"Nothing you build will ever last without a lot of tender-loving-care (TLC)."

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"I would like to sing someone to sleep,to sit beside someone and be there.I would like to rock you and sing softlyand go with you to and from sleep.I would like to be the one in the housewho knew: The night was cold.And I would like to listen in and listen outinto you, into the world, into the woods.The clocks shout to one another striking,and one sees to the bottom of time.And down below one last, strange man walks byand rouses a strange dog.And after that comes silence.I have laid my eyes upon you wide;and they hold you gently and let you gowhen something stirs in the dark."

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"You can't, in sound morals, condemn a man for taking care of his own integrity. It is his clear duty."

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Explore more quotes by Jenny Agutter

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Jenny Agutter
"To make films is as boring as watching paint dry - you usually have to do little tiny bits here and there. You go off waiting for lighting, you come back - the energy dies. You hope you can find someone who can keep it going."
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Jenny Agutter
"I've done both theatre and film and the fact is if you start believing, if you start reading things and they're good reviews - you believe that and you're lost, and then you read bad reviews and you think that's true and you read that and you're lost."
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Jenny Agutter
"I hope I presented what I felt the woman seemed to be about, but I couldn't give any reason as to why she remained in the relationship other than that their relationship was very special."
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Jenny Agutter
"Clearly any film company that makes a film is always going to talk about sequels particularly if they see something as being successful, which Werewolf was."
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Jenny Agutter
"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."
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Jenny Agutter
"I was really glad to meet Jane Clark because it did give me an insight. I couldn't imagine what kind of woman she was. I was hugely impressed by her energy, straightforward nature and enthusiasm for life."
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Jenny Agutter
"Fortunately, both television adaptations and the film I've been involved with are pieces of work that I'm proud of, so I'm very happy for people to focus on them."
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Jenny Agutter
"I have a huge respect for writers and realise that this is not an area that I find easy. I doubt that I would have the patience in front of a blank sheet of paper to become a writer."
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Jenny Agutter
"I have grown up but that should be a positive thing. When you look at a photo album it's lovely to remember being so young but it's also good to know you grew up!"
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Jenny Agutter
"So I'm not really quite sure what Landis' plans were to make another one. The American Werewolf in Paris was a completely separate story."
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