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"We talked a lot about The Best Intentions and how we could shoot certain scenes in different ways with slightly different bits of dialogue and information, so that later on, we could cut the piece more easily and it would still feel complete, even though it was shorter."
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"When disinformation is running rampant, there are two ignorances that may emerge: the one is actually positive, a sort of pure and intentional emptying of the mind; but the other is of course negative and clogged and polluted."

"Disinformation is duping. Misinformation is tricking."

"A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself."

"But the newest research is showing that many properties of the brain are genetically organized, and don't depend on information coming in from the senses."

"Incredible that liberals aren't more concerned about the monopoly of information in South Dakota."

"It is evident that one cannot say anything demonstrable about the problem before having resolved these preliminary questions, and yet we hardly possess the necessary information to solve some of them."

"I am disillusioned enough to know that no man's opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he's talking about."

"I never leaked information to Woodward and Bernstein or anyone else!"

"How easy it is for so many of us today to be undoubtedly full of information yet fully deprived of accurate information."
Explore more quotes by Bille August

"I was mostly interested in it as a theatrical film. Personally, I am not so interested in television, simply because I don't watch television myself. I'm into movies."

"She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film."

"I wanted to make Jerusalem as feature film. But we couldn't finance it only through theatrical release, we couldn't get all the money we needed. We had to get some money from television. So we said, ok, let's do it both ways. So we did it in four parts."

"From the beginning, we were prepared, we know how we would shoot and cut the two versions."

"The big difference is the size of the crew and the flexibility of shooting because of the size. I mean, it's crazy. So you can't improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility."

"It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it."

"He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn't really like the shorter film."

"I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time."

"It was a major dream come true at last. In many respects, Jerusalem is a very modern and important story about people in a period of transition, with all the unrest that permeates society on the eve of a new century. The big life issues are at stake."
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