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Branford Marsalis

"If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?"

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"If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?"

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Amber Hurdle

"I don't think you can contrive any sound."

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Amber Hurdle

"Sounds travel through space long after their wave patterns have ceased to be detectable by the human ear: some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever - which is why we, each of us, should take pains to make sweet notes."

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Amber Hurdle

"When we started the band, it was because we were waiting for a sound that never happened. We got tired of waiting, and we decided to just do it ourselves."

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Amber Hurdle

"If it wasn't for 2 Live Crew videos wouldn't look like they do and rappers wouldn't sound like they do."

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Amber Hurdle

"When I think of Marilyn Monroe, and achieving her sound, I think of having a rather large bust. I think of her physically and I am just able to create her sound, because her physicality was so much to do with her sound."

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Amber Hurdle

"The sound has grown and sweetened over the years as well, and you can hear it on many of my recordings and, most likely, will see and hear me playing it if you come to a live show."

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Amber Hurdle

"I am a fan of today's sound as long as we don't get too slick, and yet I am very reverent of my roots."

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Amber Hurdle

"I mean, Chris is, I'm sure, a wonderful guy. But in those days he also very, very late. For all appointments and departures and arrivals and sound checks and anything."

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Amber Hurdle

"I wanted this album to sound like a big crocheted blanket - to be warm yet to have a lot of space."

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Amber Hurdle

"Generally, you are held to a sound and that becomes your sound. That gets branded as your sound, and all the copycats start with it because the labels are looking for that sound."

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Branford Marsalis
"One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else."

Instinct

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Branford Marsalis
"I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company."

Money

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Branford Marsalis
"I gave up my base in popular culture when I left the Tonight Show."

Culture

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Branford Marsalis
"If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?"

Sound

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Branford Marsalis
"I like to make records sound good. I'm more like a reducer than a producer. If an artist cannot produce themselves, what's the point?"

Artist

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Branford Marsalis
"When you're dealing with music without words, titles are more a means of identification than anything else. What's the point of getting lofty?"

Music

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Branford Marsalis
"The lion's share of what I hear right now are people who, intentional or accidental, have avoided all jazz prior to 1960. And all the musicians who were successful in the '60s spent their entire lives, prior to 1960, listening to all the musicians these people avoid."

People

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Branford Marsalis
"You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don't."

Work

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Branford Marsalis
"I think that one of the problems that jazz has is that it's so incestuous that it's starting to kill itself."

Jazz

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Branford Marsalis
"Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life."

Life

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