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"If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?"
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"Sound.Noisethe air employs.Melodies sweet.Tweet, tweet, tweet.Soft. Loud.A roaring crowd.Cluck. Caw. Crow.Tet, tet. Tis, tis.Guttural growl.Harrowing howl.Drip, drip, drip.Tap, tap, tap.Moan and groan.Endless drone.Ding, dang, dong.A church bell song.Vibrations in my earto hear.Sound."

"Sounds travel through space long after their wave patterns have ceased to be detectable by the human ear: some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever - which is why we, each of us, should take pains to make sweet notes."

"Get someone else to blow your horn and the sound will carry twice as far."

"If you're not Prince, you're never going to sound like Prince."

"For instance, if you're playing a record with drums - horns would sound nice to enhance it so you get a record with horns and slip it in at certain times."

"I think I have a basic sound aesthetic that is in most of what I do."

"This is my second bass that Paul built me. There were some changes that were made. Sometimes I think of changes that could be made having to do with both the sound and the feel. It's definitely a beautiful instrument."

"I only sound intelligent when there's a good script writer around."
Explore more quotes by Branford Marsalis

"You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don't."

"I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself."

"If you're going to use standards as criteria for signing musicians, you can sign thousands. If you're going to use some sort of conceptual interpretation that's based on the tradition of those standards, but is trying to move away from it, you're down to about 10 people or so."

"I think that one of the problems that jazz has is that it's so incestuous that it's starting to kill itself."

"I like to make records sound good. I'm more like a reducer than a producer. If an artist cannot produce themselves, what's the point?"

"We played it as long as we could play it on that CD and I think it might be 50 minutes, maybe. What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid."

"There's a certain kind of motion and pacing that our music has, and this just doesn't have that. We just kind of rushed to the conclusion of most of the songs. I just would've preferred to done them over."

"The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula."

"What is jazz? It, It's almost like asking, What is French? Jazz is a musical language. It's a musical dialect that actually embodies the spirit of America."

"My dad was a musician, it was just what he did, like another guy's dad drives a meat truck. Our house was normal. We weren't taken with the fact our dad was a musician."
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