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Neil Jordan

"I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like."

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"I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"And I don't think I'm giving away any secrets here, but there are a lot of terrible scripts in this town."

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Amber Hurdle

"I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again."

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Amber Hurdle

"To me, length is an artificial and arbitrary factor in a film."

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Amber Hurdle

"What I did was I completed the half-hour film, but before really showing it, I wrote two more sections for a potential feature film which I didn't think would really happen, but at least I had it in case."

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Amber Hurdle

"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."

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Amber Hurdle

"It's really rare for film directors to be that interested in things other than themselves."

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Amber Hurdle

"John is a cottage industry in Baltimore and the city opens its doors for him whenever he is making a new film."

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Amber Hurdle

"I met John when I was 18 and I was in my first John Waters film when I was 19."

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Amber Hurdle

"There's a personal story of my own that I will write at some point, and it's a film that I will happily make. It could very well be the next thing I do, unless someone shows me something great."

Explore more quotes by Neil Jordan

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Neil Jordan
"I'm less comfortable making American movies because I don't know them so well."
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Neil Jordan
"The Company of Wolves is about how society teaches young women to look at themselves, and what to be afraid of. It's about a girl learning that the world of sensuality and the unknown is not to be feared, that it's worth getting your teeth into."
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Neil Jordan
"I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book."
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Neil Jordan
"It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated."
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Neil Jordan
"The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?"
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Neil Jordan
"It's hard to know whether certain characters come to life or not, they either come to have their own life or they don't. I've written many things in which the characters just remain inert."
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Neil Jordan
"My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end."
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Neil Jordan
"I do enjoy working with writers."
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Neil Jordan
"The End of the Affair is almost like a play."
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Neil Jordan
"No, I just thought of a story and wrote down what I saw. It was about two kids in Ireland who went around killing people. It was called Travelers, and it was made as an independent film."
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