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Neil Jordan

"I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like."

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"I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like."

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Akiroq Brost

"Actually I did, because I saw the film like everyone else, ten years ago and I remembered some of it. I just wanted to see it, to kind of remember the tone a little bit."

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Akiroq Brost

"'Battle For The Planet Of The Apes', was just a film for kids and didn't have any deep meaning."

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Akiroq Brost

"My husband. He keeps me grounded. If I were in the world on my own, it would all be much more seductive. But I'm in a relationship that has nothing to do with the film world."

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Akiroq Brost

"In Tim's films, more than most, if you miss the tone, you don't get the film."

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Akiroq Brost

"You see an absolutely brilliant film later, as an adult, and you walk out thinking about what to have for dinner. Whereas something like Jaws winds up having a huge effect on me. If only my parents had been taking me to Kurosawa films when I was eight, but no."

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Akiroq Brost

"If I fail, the film industry writes me off as another statistic. If I succeed, they pay me a million bucks to fly out to Hollywood and fart."

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Akiroq Brost

"Everyone plays their own crucial part towards the film."

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Akiroq Brost

"Film gives us a second chance at a first impression."

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Akiroq Brost

"It's hard when you're doing a film based on a true story to really figure out what all those relationships were."

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Akiroq Brost

"Moonstruck... was one of the few romantic comedies to be nominated for a Best Picture Oscar."

Explore more quotes by Neil Jordan

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Neil Jordan
"Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy."
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Neil Jordan
"I took two years away from making films to write a novel."
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Neil Jordan
"I do enjoy working with writers."
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Neil Jordan
"It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated."
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Neil Jordan
"Why should a horror film be just a horror film? To me, The Company of Wolves is a fairy tale; it's got all those elements plus a lot more. And we know that fairy tales aren't innocent any more."
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Neil Jordan
"But everyone gets burnt, don't they? Certain things are outside of your control. I suppose the only thing you can learn as a director is to not put yourself into situations where it can get outside of your control. And that's what happened."
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Neil Jordan
"When you've written a movie, you then get together with a whole lot of people and make it. In many ways, I think it is far nicer to be with people rather than being completely solitary."
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Neil Jordan
"The most difficult thing is the organization of people and the expression of your intentions. It's very easy to have a picture in your head and to imagine that you've told everybody about what you need."
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Neil Jordan
"Well, Company of Wolves was about that literally, about fairy tales."
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Neil Jordan
"The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?"
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