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"I did a film very quickly, and then a lot of work for television, and then I did stage work."
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"I really do hope that the Millennium Summit gives new impetus to the work of the United Nations."

"Anytime we can take narcotics off the street it is significant because it takes them out of the hands of children. It certainly is not going to stop the drug problem, we have to work very, very hard."

"Give a typical employee a million, and, he is most likely to use the money to print his CV on fancier paper."

"For disappearing acts, it's hard to beat what happens to the eight hours supposedly left after eight of sleep and eight of work."

"The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process."

"Working overtime is an underpaid man's salvation."

"I enjoy my work. I haven't been an actor for 30 years without getting pleasure out of the profession."
Explore more quotes by Isabelle Huppert

"I like to take these unusual characters and then make them as normal as possible, because we all know that the tragedy and the abnormal always hides itself behind the normal."

"For an actress there is no greater gift than having a camera in front of you, listening to the most beautiful music in the world and just being looked at!"

"But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach."

"When you come to do the film, it is not the time to wonder why you do it. It's just how to do it."

"But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people."

"Once you have made the decision to do the film, once you have identified the desire and all the deep and personal, intimate, artistic reasons why you want to do the film, then it's more a matter of how to do things."

"Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real."

"Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture."
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