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Paul Hirsch

"The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually."

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"The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually."

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Donna Grant

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Donna Grant

"Film gives us a second chance at a first impression."

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Donna Grant

"Looper is another great film."

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Personal Development

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Donna Grant

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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Donna Grant

"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."

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Donna Grant

"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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Donna Grant

"It's gotten to the point where it's big news when I don't do a horror film."

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Personal Development

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Donna Grant

"This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased."

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Donna Grant

"So I used formal techniques to make the film more perceptive emotionally."

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Donna Grant

"Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in."

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Paul Hirsch
"I have been typecast in my career, although the type changes with the decades."

Career

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Paul Hirsch
"The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually."

Film

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Paul Hirsch
"When I started out, I preferred to watch my films without music, as its presence tends to mask the underlying pace of the film. I felt I could feel the rhythm of the film better without music to influence me."

Music

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Paul Hirsch
"I have always had a certain rhythmic approach to my work."

Work

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