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"Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater."
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"But in life, a tragedy is not one long scream. It includes everything that led up to it. Hour after trivial hour, day after day, year after year, and then the sudden moment: the knife stab, the shell burst, the plummet of the car from a bridge."
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"And now I may dismiss my heroine to the sleepless couch, which is the true heroine's portion - to a pillow strewed with thorns and wet with tears. And lucky may she think herself, if she get another good night's rest in the course of the next three months."
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"But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it."
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"Oh, this is the most TRAGICAL thing that ever happened to me!"
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"I feel sorry and for the both characters the drama for the girl, which was unknown was one very big, for the father who knows what has happened to him... I try to explore him little deeper, but so far to go in the darker without a light...!?"
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"Exaggerating Your Gestures"Have you ever walked through a door and been jumped on by an over-enthusiastic dog with big paws who practically knocked you down? Some people have that effect. Being too flamboyant and over-boisterous can be overkill and push people away. Drama queens and kings have mastered these exaggerations, much to the chagrin of their observers. Remaining intentional in your gestures is a mark of poise, elegance, and maturity."
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"In fact-Dr. Sheppard!"
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"He knew that all the hazards and perils were now drawing together to a point: the next day would be a day of doom, the day of final effort or disaster, the last gasp."
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"You men have none of you any hearts.''If we have not hearts, we have eyes; and they give us torment enough."
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"We participate in tragedy. At comedy we only look."
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"We can't afford big symphonies but we commission works that sound rich and symphonic because of the nature of the instrumentation and the people we work with."
Nature
"But I also wanted to give them an intelligent emotional journey, without having to suspend reality - to be able to look at those characters and see reasons for the relationships and why what happens happens."
Journey
"I'm interested in people who can take the movement somewhere."
People
"I think the Olympics could help us reach more people."
People
"It's not a company of exponents of my style."
Company
"If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't."
People
"There's a line of dancers waiting to get into Sydney Dance Company."
Dance
"Yes, Carl Vine stuck around. He's now number one composer for choreography."
Now
"For me it was really important to get the essence out of the music for the story and not, sort of, press the music into the service of the whimsical telling of it."
Music
"Dance is so joyous."
Dance
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