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"Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater."
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"Oh, this is the most TRAGICAL thing that ever happened to me!"
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Personal Development

"In fact-Dr. Sheppard!"
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Personal Development

"You men have none of you any hearts.''If we have not hearts, we have eyes; and they give us torment enough."
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Personal Development

"You let me handle Marius," I said. "Now, you didn't come without you dagger.""No, I did not," he said, lifting his cloak to reveal it, "And with your permission I would like to plunge it through my heart now so I will most assuredly stone-cold dead before the Master of this house arrives home to find you runnning rampant in his garden!""Permission denied."
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Personal Development

"It has nothing to do with the emotional demands of a role; I've done comedies that are as draining to me as any drama."
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Personal Development

"Most drama in our lives is really rather squalid."
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Personal Development

"One was never taught how to begin at drama school. But all it required was one intake of breath."
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"Once upon a time, a girl had a father, a prince, a society of friends. Then they betrayed her, so she destroyed them all."
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"I paid my dues at drama school and worked backstage in every Theatre in London."
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"We participate in tragedy. At comedy we only look."
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"There's a line of dancers waiting to get into Sydney Dance Company."
Dance

"Yes, Carl Vine stuck around. He's now number one composer for choreography."
Now

"SDC has a great reputation for putting live music on stage."
Music

"I mean, I think in the early days we were pretty... pretty British in our entertainment leads."
Entertainment

"I think it requires a bit of honesty, Swan Lake."
Honesty

"For me it was really important to get the essence out of the music for the story and not, sort of, press the music into the service of the whimsical telling of it."
Music

"But I also wanted to give them an intelligent emotional journey, without having to suspend reality - to be able to look at those characters and see reasons for the relationships and why what happens happens."
Journey

"If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't."
People

"We can't afford big symphonies but we commission works that sound rich and symphonic because of the nature of the instrumentation and the people we work with."
Nature

"I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form."
Life
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