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Flannery O'Connor

"The woods are full of regional writers, and it is the great horror of every serious Southern writer that he will become one of them."

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"The woods are full of regional writers, and it is the great horror of every serious Southern writer that he will become one of them."

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Brennan Manning

"A writer's primary goal is to make sense. The bookstore's is to make cents."

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Brennan Manning

"A writer's duty is to draw a picture that expresses more inner beauty, deeper anxiety, and more complex tragedy than a real character ever can."

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Brennan Manning

"Remember Stephen King's First Rule of Writers and Agents, learned by bitter personal experience: You don't need one until you're making enough for someone to steal ... and if you're making that much, you'll be able to take your pick of good agents."

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Brennan Manning

"Nothing stinks like a pile of unpublished writing."

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Brennan Manning

"Silence fell like a hammer made of feathers. It left holes in the shape of the sound of the sea."

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Brennan Manning

"Write out of love. Your piece will finish itself."

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Brennan Manning

"At the inauguration of each sentence, the writer commences with an optimistic sense of curiosity. Similar to an inquisitive explorer, a writer begins each thoughtful decree with an appreciative sense of the unknown and ends with a reverent regard for the unanswerable. Repeating this instigating act of discovery by placing a combination of sentences down on paper creates a unique verdict. The writer's compilation of pronouncements expresses their interpretation of life. Replicating this creative endeavor in the futile effort to say it all imitates the revolving mystery of life where physical reality and mysterious forces of nature operate upon humankind."

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Brennan Manning

"One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you're maybe a little bit ashamed of your short ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of premeditated cuteness should be even more embarrassed."

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Brennan Manning

"E.L. Doctorow said once said that 'Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.' You don't have to see where you're going, you don't have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice on writing, or life, I have ever heard."

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Brennan Manning

"You never know what you will write until you write it."

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Flannery O'Connor
"The meaning of a story should go on expanding for the reader the more he thinks about it, but meaning cannot be captured in an interpretation. If teachers are in the habit of approaching a story as if it were a research problem for which any answer is believable so long as it is not obvious, then I think students will never learn to enjoy fiction. Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it."

Literature

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Flannery O'Connor
"Hazel Motes sat at a forward angel on the green plush train seat, looking one minute at the window as if he might want to jump out of it, and the next down the aisle at the other end of the car."

Life

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Flannery O'Connor
"What one has as a born Catholic is something given and accepted before it is experienced. I am only slowly coming to experience things that I have all along accepted. I suppose the fullest writing comes from what has been accepted and experienced both and that I have just not got that far yet all the time. Conviction without experience makes for harshness."

Religion

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Flannery O'Connor
"Lord, I believe; help my unbelief'... is the most natural and most human and most agonizing prayer in the gospels, and I think it is the foundation prayer of faith."

Religion

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Flannery O'Connor
"Art transcends its limitations only by staying within them."

Art

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Flannery O'Connor
"There is something in us, as storytellers and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance to be restored. The reader of today looks for this motion, and rightly so, but what he has forgotten is the cost of it. His sense of evil is diluted or lacking altogether, and so he has forgotten the price of restoration. When he reads a novel, he wants either his sense tormented or his spirits raised. He wants to be transported, instantly, either to mock damnation or a mock innocence."

Art

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Flannery O'Connor
"She had observed that the more education they got, the less they could do. Their father had gone to a one-room schoolhouse through the eighth grade and he could do anything."

Education

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Flannery O'Connor
"I don't recall that when I was in high school or college, any novel was ever presented to me to study as a novel. In fact, I was well on the way to getting a Master's degree in English before I really knew what fiction was, and I doubt if I would ever have learned then, had I not been trying to write it. I believe that it's perfectly possible to run a course of academic degrees in English and to emerge a seemingly respectable Ph.D. and still not know how to read fiction."

Learning

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Flannery O'Connor
"I am much younger now than I was at twelve or anyway less burdened."

Life

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Flannery O'Connor
"The writer has no rights at all except those he forges for himself inside his own work. We have become so flooded with sorry fiction based on unearned liberties, or on the notion that fiction must represent the typical, that in the public mind the deeper kinds of realism are less and less understandable."

Writing

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