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Leo Ornstein

"Today each composer is not only involved in aesthetics, but he's actually trying to create his own language."

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"Today each composer is not only involved in aesthetics, but he's actually trying to create his own language."

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Amber Hurdle

"Works of art are infinitely solitary and nothing is less likely to reach them than criticism. Only love can grasp them and hold them and do them justice."

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Amber Hurdle

"In an animal's or a plant's expression of imagination (let's leave out the rest for now, so we don't have to deal with the question of consciousness in, for example, minerals), there is always purity in the connection between need and evolution. That which is created is a response to reality and very specific, essential concerns. This then is the origin of the union between what is so and mysterious harmony-truth and beauty. The bridge between them is inspired intuition and the actions it causes. Or, imagination causes inspiration causes intuition causes beauty, which then causes imagination again."

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Amber Hurdle

"A goatee is to beards what diamonds are to ornaments."

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Amber Hurdle

"The light music of whisky falling into glasses made an agreeable interlude."

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Amber Hurdle

"The quality of beauty lies on how beholder values an object."

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Amber Hurdle

"The cat . . . is for the man who appreciates beauty as the one living force in a blind and purposeless universe."

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Amber Hurdle

"I hate people who collect things and classify things and give them names and then forget all about them. That's what people are always doing in art. They call a painter an impressionist or a cubist or something and then they put him in a drawer and don't see him as a living individual painter any more."

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Amber Hurdle

"The noble buoyancy of her attitude, its suggestion of soaring grace, revealed the touch of poetry in her beauty that Selden always felt in her presence, yet lost the sense of when he was not with her. Its expression was now so vivid that for the first time he seemed to see before him the real Lily Bart, divested of all the trivialities of her little world, and catching for a moment a note of that eternal harmony of whichher beauty was a part."

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Amber Hurdle

"Professionalism in art has this difficulty: To be professional is to be dependable, to be dependable is to be predictable, and predictability is esthetically boring - an anti-virtue in a field where we hope to be astonished and startled and at some deep level refreshed."

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Amber Hurdle

"était tard ; ainsi qu’une médaille neuve
La pleine lune s’étalait,
Et la solennité de la nuit, comme un fleuve
Sur Paris dormant ruisselait."

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Leo Ornstein
"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."

Now

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Leo Ornstein
"No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music."

Music

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Leo Ornstein
"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."

Difference

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Leo Ornstein
"In writing music, the structure of each piece is a very important factor."

Music

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Leo Ornstein
"There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things."

Music

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Leo Ornstein
"Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear."

Music

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Leo Ornstein
"I think there have been some periods when the writing almost became a bit of a burden."

Burden

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Leo Ornstein
"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing."

Music

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Leo Ornstein
"Well, no. I believe that it's not at all impossible that some of the performances that I've heard so far by some pianists may be superior to my own playing because those are two totally different acts altogether."

May

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Leo Ornstein
"Today each composer is not only involved in aesthetics, but he's actually trying to create his own language."

Aesthetics

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