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"In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper."
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"The real beauty of a house is always the happiness inside that house!"

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Explore more quotes by Chuck Klosterman

"If you're doing an interview, you need conversational tension. After you talk to them, you're not going to have a relationship with them, they're not going to like you, they're not going to be your friend."

"You're trying to find new ideas in people. I always think to myself, what question I am least comfortable asking the person? And then I make sure I ask it early in the interview."

"It didn't seem remotely possible. I had no idea how people got those jobs, I didn't know what the steps were, it never even dawned on me. It seemed so outside the realm of possibility."

"The biggest hurdle to writing Fargo Rock City was that I couldn't afford a home computer - I had to get a new job so I could buy a computer. It could all change though. In five years, I could be back at some daily newspaper, which wouldn't be so bad."

"I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it."

"The biggest problem in rock journalism is that often the writer's main motivation is to become friends with the band. They're not really journalists; they're people who want to be involved in rock and roll."

"It's just that what's important there is different there than what's important is here. Here, people care that you wrote a book or that you work in the media."

"A lot of people have this strategy where if they have a hard question they wait to ask it to the end of the interview because they think the person is going to walk out. But what they have to realize is, is that if the person walks out, they have a pretty successful story."

"To me, every interview, even if you love the artist, needs to be somewhat adversarial. Which doesn't mean you need to attack the person, but you do need to look at it like you're trying to get information that has not been written about before."

"I keep saying the word "weird" over and over again, but it's the only way I can describe it."
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