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"Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third."
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"The presence of a noble nature, generous in its wishes, ardent in its charity, changes the lights for us: we begin to see things again in their larger, quieter masses, and to believe that we too can be seen and judged in the wholeness of our character."

"Failures make character, not success."

"When a foundation is built following sound structural principles, with solid, high-quality materials, anything that is layered on top is more secure, durable, and resilient. Your integrity works the same way."

"Fruits of the spirit in the man attract others to him."

"Instead of trying to be taller than others, stronger than others, more superior to others, try to be gentler than others, more compassionate than others, fairer than others!"
Explore more quotes by Sarah Bernhardt

"He who is incapable of feeling strong passions, of being shaken by anger, of living in every sense of the word, will never be a good actor."

"Permanent success cannot be achieved except by incessant intellectual labour, always inspired by the ideal."

"The truth, the absolute truth, is that the chief beauty for the theatre consists in fine bodily proportions."

"I have, thanks to my travels, added to my stock all the superstitions of other countries. I know them all now, and in any critical moment of my life, they all rise up in armed legions for or against me."

"The actor is too prone to exaggerate his powers; he wants to play Hamlet when his appearance is more suitable to King Lear."

"For the theatre one needs long arms... an artiste with short arms can never make a fine gesture."

"What matters poverty? What matters anything to him who is enamoured of our art? Does he not carry in himself every joy and every beauty?"
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