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"With Jackson there was quiet solitude. Just to sit and look at the landscape. An inner quietness. After dinner, to sit on the back porch and look at the light. No need for talking. For any kind of communication."
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Exlpore more Communication quotes
"Talking to strangers is very panic fear, to be fearless and good communicator in long term try talking to strangers with courage like you already know them."
"From a personal experience and the examination of literature, I feel that we cannot take for granted that a dialogue, without information and perhaps without understanding, is possible between any individuals or groups on all levels. So the prerequisite is information."
"Eventually, there's certain limit in telling bare fact through words.It ain't about diction constraints, but common ability to understand."
"The unsaid rules every conversation."
"Not being heard is no reason for silence."
"Powerful words that penetrate the psyche are not forgotten while silence is."
"I love talking the way Trappists love silence."
"Speak ill of no man, but speak all the good you know of everybody."
"If you need only 10 minutes to speak about a topic that requires 60 minutes, then you are a good speaker. If you need 60 minutes to speak about a topic which requires only 10 minutes, then you are a Romanian preacher."
"Many a man's tongue shakes out his master's undoing."
Explore more quotes by Lee Krasner
"You were told how much space so it was a matter of whether you could send in two paintings or three paintings, you know, pending where the show was being held. You did submit work to be accepted. Once you were accepted that was it. You did your own selection of what went in."
"Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable."
"My own image of my work is that I no sooner settle into something than a break occurs. These breaks are always painful and depressing but despite them I see that there's a consistency that holds out, but is hard to define."
"Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced."
"I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it."
"People were very affected by the war. But it didn't mean you stopped painting unless you were called into the Army; then you just couldn't paint. But otherwise one continued."
"At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you."
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