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Lee Krasner

"With Jackson there was quiet solitude. Just to sit and look at the landscape. An inner quietness. After dinner, to sit on the back porch and look at the light. No need for talking. For any kind of communication."

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"With Jackson there was quiet solitude. Just to sit and look at the landscape. An inner quietness. After dinner, to sit on the back porch and look at the light. No need for talking. For any kind of communication."

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"I had no expectation that the Prince would offer me the unprecedented and unfettered access to the original and entirely untapped sources on which this biography is based."

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Assegid Habtewold

"Know the other person's viewpoint first and then talk. To Talk after comparing it or mixing it with our viewpoint is an offence."

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Assegid Habtewold

"Silence is an arguement hard to refute."

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Assegid Habtewold

"Never speak unless you can improve upon the stupidness of people's silence."

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Assegid Habtewold

"A bad handwriting is as annoying to a reader - as an irritating voice is to a listener."

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Assegid Habtewold

"Not every single way of saying the right thing is right."

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Personal Development

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Assegid Habtewold

"Are you being approachable when you are around new people? Ever not know what to say? Simply smile when you make eye contact. This is a subliminal invitation to help others feel safe-allowing a conversation to follow naturally."

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Assegid Habtewold

"Few realize how loud their expressions really are. Be kind with what you wordlessly say."

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Assegid Habtewold

"Human life is not for suffering criticism. If it is the truth and there is no nagging or insistence upon it, others will accept it in their hearts. And if it is the truth and you nag or insist upon it, it will not touch others."

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"A good oration is good and a good understanding is better, but a good action in the right direction that gets the best results is the best!"

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Lee Krasner
"You were told how much space so it was a matter of whether you could send in two paintings or three paintings, you know, pending where the show was being held. You did submit work to be accepted. Once you were accepted that was it. You did your own selection of what went in."

Work

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Lee Krasner
"People were very affected by the war. But it didn't mean you stopped painting unless you were called into the Army; then you just couldn't paint. But otherwise one continued."

War

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Lee Krasner
"My studio was on 9th Street between University and Broadway."

Art

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Lee Krasner
"In the late 30s the name Pollock was totally unknown and unheard of."

Art

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Lee Krasner
"The Jumble Shop would be one place where we'd sometimes accumulate down in the Village. I think it might be just a place that's unknown that was right around the corner from wherever it was that we met."

Memory

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Lee Krasner
"At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you."

People

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Lee Krasner
"Well, I'd say that the beginning of this thing came through with Art of This Century, Peggy Guggenheim's, where she opened this gallery and began showing some things that caused a little talk, amongst a lot of other things."

Art

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Lee Krasner
"I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it."

Work

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Lee Krasner
"Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced."

Time

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Lee Krasner
"Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable."

Man

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