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Lee Krasner

"With Jackson there was quiet solitude. Just to sit and look at the landscape. An inner quietness. After dinner, to sit on the back porch and look at the light. No need for talking. For any kind of communication."

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"With Jackson there was quiet solitude. Just to sit and look at the landscape. An inner quietness. After dinner, to sit on the back porch and look at the light. No need for talking. For any kind of communication."

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"He sounded absolutely miserable. "Are you ever going to speak to me?"

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"From a personal experience and the examination of literature, I feel that we cannot take for granted that a dialogue, without information and perhaps without understanding, is possible between any individuals or groups on all levels. So the prerequisite is information."

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Amber Hurdle

"Talk to strangers politely. You don't how many of them will become your close companions."

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Amber Hurdle

"Women love with their ears, men with their eyes."

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Amber Hurdle

"We're living in a teetering tower of babble. A shaky reality of words. A DNA soup for disaster. The natural world destroyed, we're left with this cluttered world of language."

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Amber Hurdle

"Have more than thou showest Speak less than thou knowest."

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Amber Hurdle

"Listening is the art of love and appreciation."

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Amber Hurdle

"Language is still separating us even though technology is bringing us closer together."

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Amber Hurdle

"Words are the only things that last for ever."

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Amber Hurdle

"Good news didn't seem real until you'd told at least a dozen friends."

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Lee Krasner
"I have never been able to understand the artist whose image never changes."
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Lee Krasner
"Well, I'd say that the beginning of this thing came through with Art of This Century, Peggy Guggenheim's, where she opened this gallery and began showing some things that caused a little talk, amongst a lot of other things."
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Lee Krasner
"You were told how much space so it was a matter of whether you could send in two paintings or three paintings, you know, pending where the show was being held. You did submit work to be accepted. Once you were accepted that was it. You did your own selection of what went in."
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Lee Krasner
"Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced."
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Lee Krasner
"People were very affected by the war. But it didn't mean you stopped painting unless you were called into the Army; then you just couldn't paint. But otherwise one continued."
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Lee Krasner
"As I say, I as an abstract artist was active politically."
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Lee Krasner
"My studio was on 9th Street between University and Broadway."
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Lee Krasner
"My own image of my work is that I no sooner settle into something than a break occurs. These breaks are always painful and depressing but despite them I see that there's a consistency that holds out, but is hard to define."
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Lee Krasner
"The procedure was that an artist got a mural and then he would have anywhere from two to ten assistants depending on the size of the mural and how many assistants he needed, or she needed."
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Lee Krasner
"The Jumble Shop would be one place where we'd sometimes accumulate down in the Village. I think it might be just a place that's unknown that was right around the corner from wherever it was that we met."
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