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"What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive."
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"People today are still living off the table scraps of the sixties. They are still being passed around - the music and the ideas."
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Personal Development

"This land is your land and this land is my land, sure, but the world is run by those that never listen to music anyway."
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"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."
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"Strains of music spring up, crystallizing in the night air like rain turning suddenly to snow, drifting to earth."
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"And of course there's so much music in and around our family. I had a piano during Christmas because it's obviously useful through the season. There are so many people, songwriters, who are around."
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"I knew the words to 25 rock songs, so I got in the group. Long Tall Sally and Tutti-Frutti, that got me in. That was my audition."
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"Nothing pleases me more than to go into a room and come out with a piece of music."
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"It was Elvis who really got me hooked on beat music. When I heard "Heartbreak Hotel" I thought, this is it."
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"I had this song called Helter Skelter, which is just a ridiculous song. So we did it like that, 'cuz I like noise."
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"I was about sixteen when I discovered that music could get you laid, so I got into music boy, didn't matter what you looked like either, you could be a geeky looking guy but if you played music, whoa, you'd get the girls."
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"I only really started to go to plays and to be interested in drama 20 years ago when as an artist I was already well-rounded. I think I'm more disciplined today."
Artist

"It wasn't just about flashing lights and pinball machines blowing up and things like that. It was about using encores, bringing back the good songs and using techniques that I knew about from rock performance."
Performance

"I have terrible hearing trouble. I have unwittingly helped to invent and refine a type of music that makes its principal proponents deaf."
Music

"But what was interesting about what the Who did is that we took things which were happening in the pop genre and represent them to people so that they see them in a new way. I think the best example is Andy Warhol's work, the image of Marilyn Monroe or the Campbell's soup can."
Work

"What we learned quite early on is what was really important to early British pop that we produced-and this is where we were distinct from almost everybody else in this respect-is that it had to reflect exactly what the audience wanted us to say."
Respect

"What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive."
Music

"What the Who is all about is exactly that and it always has been. If it exists today for this concert, it's in response again to a function which is happening out there on the street."
Today

"A lot of my audience are in their 50s. But they want me to pretend to continue to be pretending."
Want

"What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh."
Music

"What theatre started to look at much earlier than any other form was the internal operations of ordinary people, sometimes using mythic models in order to tell the story."
People
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