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"His eyes were open wounds beneath his heavy brows, a blue as dark as the sea by night."
"She looked like a head-on collision between a fashion plate and a nightmare."
"The dust was antique spice, burnt maple leaves, a prickling blue that teemed and sifted to earth. Swarming its own shadows, the dust filtered over the tents."
"It is photography itself that creates the illusion of innocence. Its ironies of frozen narrative lend to its subjects an apparent unawareness that they will change or die. It is the future they are innocent of. Fifty years on we look at them with the godly knowledge of how they turne dout after all - who they married, the date of their death - with no thought for who will one day be holding photographs of us."
"We rode on the winds of the rising storm,We ran to the sounds of the thunder.We danced among the lightning bolts,and tore the world asunder."
Explore more quotes by Philip Pullman
"As for what it's against - the story is against those who pervert and misuse religion, or any other kind of doctrine with a holy book and a priesthood and an apparatus of power that wields unchallengeable authority, in order to dominate and suppress human freedoms."
"I feel with some passion that what we truly are is private, and almost infinitely complex, and ambiguous, and both external and internal, and double- or triple- or multiply natured, and largely mysterious even to ourselves; and furthermore that what we are is only part of us, because identity, unlike 'identity', must include what we do. And I think that to find oneself and every aspect of this complexity reduced in the public mind to one property that apparently subsumes all the rest ('gay', 'black', 'Muslim', whatever) is to be the victim of a piece of extraordinary intellectual vulgarity."
"Princess, princess, youngest daughter,Open up and let me in!Or else your promise by the waterIsn't worth a rusty pin.Keep your promise, royal daughter,Open up and let me in!"
"What I couldn't help noticing was that I learned more about the novel in a morning by trying to write a page of one than I'd learned in seven years or so of trying to write criticism."
"The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don't know. Sometimes in doing what you intend, you also do what the knife intends, without knowing."
"And I came to believe that good and evil are names for what people do, not for what they are. All we can say is that this is a good deed, because it helps someone or that's an evil one because it hurts them. People are too complicated to have simple labels."
"All writing is difficult. The most you can hope for is a day when it goes reasonably easily. Plumbers don't get plumber's block, and doctors don't get doctor's block; why should writers be the only profession that gives a special name to the difficulty of working, and then expects sympathy for it?"
"I'm working on another Lyra book right now " it's called The Book of Dust.'It's going very well and it will be finished when I write the words 'The End'."
"The best way to get kids to read a book is to say: 'This book is not appropriate for your age, and it has all sorts of horrible things in it like sex and death and some really big and complicated ideas, and you're better off not touching it until you're all grown up. I'm going to put it on this shelf and leave the room for a while. Don't open it."
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