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"Take a film of Jacques Tati like Mon Oncle which has something quite new - for me, unique - in it."
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"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."
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"There's a personal story of my own that I will write at some point, and it's a film that I will happily make. It could very well be the next thing I do, unless someone shows me something great."

"When you direct your first film, you always start by telling stories that you are familiar with."

"I'm not interesting enough on my own that you'd want to see a film about me."

"I've just been very, very lucky with the film having been introduced in the right way."
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"I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film."

"I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas."

"By drawing or exposing two or more patterns on the same bit of film I can create harmony and textual effects."

"But it has, in addition, an even more precious quality - a consciousness of the human intelligence, the human spirit and that man is a social creature."

"So people will come along and do new things and sometimes return to the spirit of an earlier age."

"Unless it's done superbly, as in the Japanese film Gate of Hell, color can be a very distracting element."

"And so my militant philosophy is this: to make with a brush on canvas is a simple direct delight-to make with the movie is the same."

"I don't know whether it ever comes back to the same thing; it does return to the spirit of a previous period in some way, but it's different, it's new."

"The number of strokes to the inch controls the pitch of the note: the more, the higher the pitch; the fewer, the lower the pitch, the size of the stroke controls the loudness... the tone quality is the most difficult element to control, it is made by the shape of the strokes."
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