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"To me the biggest breakthrough was when we did Terminator 2 that just opened the door for Jurassic and all of the others and that was as big as when we did motion control on Star Wars. But I don't see another big thing coming."
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"It is always a great honor to be the driver of your own car, to be the boss of your own fate!"
"You will find there are times you must grasp your life with both hands and forcefully steer it in a new direction and then strain to hold your course until the storms of fear, weakness, and doubt abate."
"Ambalal Muljibhai' (Dada's relative self) is under the control of worldly interactions, and 'we' (The Gnani Purush) are in the control of nischaya (realm of the Self). Worldly interaction should not be scorned at, at all."
"One is called a saiyami [those with inner control] when no intent of transgression remains within him. Even during anger-pride-deceit-greed when there is no violent intent, that is called saiyam. A saiyami will go to moksha."
"The rule is that when one's mind is controlled in a specific subject, he can control the other person's mind in that subject."
"It is futile to talk too much about the past... like trying to make birth control retroactive."
Explore more quotes by Dennis Muren
"And then you start getting into the technical side of it and the aesthetic side and with those areas you can come up with new ways to visualise things, new ways to render and use the computer to make things look different and new and stuff like that."
"And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this work and the public just wants to see it. Good work is being done all over the world."
"Everyone is trying to do something that hasn't been done and that's a really good thing. You can only do so much with a story and some scripts don't give you the opportunities and other scripts do give you the opportunities to do things that haven't been done before."
"What you want to do is, you want to get away from people being afraid to show their work, which is the first thing, because they don't want to be shot down."
"I think you've got to talk to the director, see the director's films and recognise that it's important that the work fits right in and see if as part of the movie."
"I see the tool set being the same and maybe doing virtual movies and that's fine for some stories but not for others. And maybe make all CG movies but they are already doing it."
"I'm always reaching for something we really haven't done, and War of the Worlds has a lot of this sort of documentary look to it and first-person camera view that is a new thing for me. I've done some stuff like that before, but nothing like the extent of this and digitally."
"Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to you today. Because the time is different. The film is the work of today's audience."
"I've done enough of this that I can tell early on if it's going in the wrong direction or not."
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