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"So I decided to start writing plays, and went to Yale."
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"A writer out of loneliness is trying to communicate like a distant star sending signals. He isn't telling, or teaching, or ordering. Rather, he seeks to establish a relationship with meaning, of feeling, of observing. We are lonesome animals. We spend all our live trying to be less lonesome. And one of our ancient methods is to tell a story, begging the listener to say, and to feel, "Yes, that's the way it is, or at least that's the way I feel it. You're not as alone as you thought." To finish is sadness to a writer, a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done."

"Certainly the plagiarism, and dealing with the fallout of it, was the most difficult thing I've ever faced since I started writing."

"Everything I've ever done, in the writing world, has been to expand articulation, rather than to close it."

"I know nothing in the world that has as much power as a word. Sometimes I write one, and I look at it, until it begins to shine."

"Bad writing is more than a matter of shit syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do- to face the fact, let us say, that murderers sometimes help old ladies cross the street."
Explore more quotes by Richard Foreman

"Because even at the age of fifteen, I used to go see all the Broadway shows and feel that they were sentimental, that they were pandering to the audience and trying to manipulate the audience. I had no use for practically any of the shows that were hits."

"All the dialogue on tape, and we'd play the tape in performance. Then I thought it'd be interesting if the actor's repeated what they heard on the tape, but at a slower speed, so we'd get a web of language."

"As I told you, from the time I was fifteen, I thought the theater was too much involved with actors trying to make the audience love them, being over emotional."

"Now, when I started my theater, the modus operandi was having the actors stare right into the audience."

"I realized that I had to be honest about where I was, where I was coming from, and what I was trying to do."

"From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw absolutely everything in New York. Absolutely everything."

"I'm there to make a kind of theatrical music that is desperately missing in my life. And if other people don't like it, I'm very unhappy, but I can't do anything about that."
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