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John Eaton

"Well, opera began with an intent to resuscitate Greek drama, that is, modern opera as we know it."

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"Well, opera began with an intent to resuscitate Greek drama, that is, modern opera as we know it."

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Amber Hurdle

"But I won't deprive myself of singing opera as long as my voice follows."

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Amber Hurdle

"I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera."

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Amber Hurdle

"This is not a rock opera. This is not Tommy. I can write songs that emote, and that's it."

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Amber Hurdle

"Even the Beatles lived their lives as a soap opera."

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Amber Hurdle

"I sang opera, I sang show tunes. I got into a rock band for a while. I've sung a lot of different things."

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Amber Hurdle

"The opera is like a husband with a foreign title - expensive to support, hard to understand and therefore a supreme social challenge."

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Amber Hurdle

"I don't think an opera house is ever a place that can make you entirely happy."

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Amber Hurdle

"Any subject is good for opera if the composer feels it so intently he must sing it out."

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Amber Hurdle

"Directing an opera is similar to directing a play. The singing must not get in the way of the drama."

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Amber Hurdle

"Ironically, that was quite a bit of the appeal of Rumours. It's equally interesting on a musical level and as a soap opera."

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John Eaton
"We need it to capture the energy of contemporary life."
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John Eaton
"We need to have as broad a range as possible, because life itself has that kind of range."
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John Eaton
"The way that I got involved with microtonal music was, frankly, through jazz."
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John Eaton
"In other words, I think that if an audience listens to something as an experience of how in tune it is or something of that kind, that the whole point is somehow being missed, and the music has failed."
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John Eaton
"But nevertheless, it's music ultimately that matters in opera, and opera is a piece of music reaching out as a vision in sound reaching out to the world."
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John Eaton
"I'm thinking in terms of a point of departure, a field of action for performers to express an expressive need of mine which hopefully the context of music would convey."
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John Eaton
"I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that."
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John Eaton
"Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist."
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John Eaton
"Well, the very best operas are the ones written by the very best composers."
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John Eaton
"I think I was first to do live performances on a modern electronic sound synthesizer."
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