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Robert Creeley

"First you wonder if they're separate stories, but no, they're not, they're contingent stories and they form a pattern. And you begin with some of the island as the place to which the heroine of the book returns."

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"First you wonder if they're separate stories, but no, they're not, they're contingent stories and they form a pattern. And you begin with some of the island as the place to which the heroine of the book returns."

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Assegid Habtewold

"I believe every one of us possesses a fundamental right to tell our own story."

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Assegid Habtewold

"It was so quiet that morning in Paris that the heels of my two companions and myself were loud on the deserted pavements. It was a city of shuttered shops, and barred windows, and deserted avenues."

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Assegid Habtewold

"I'd prefer her story than history."

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Assegid Habtewold

"Life is a book."

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Assegid Habtewold

"The pattern of the narrative never of necessity wants to end, it never has to."

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Personal Development

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Assegid Habtewold

"Every story has a time to be told."

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Assegid Habtewold

"It's also possible to have two third person singular points of view, as represented by two characters through whose eyes the story is told in alternating chapters, say."

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Assegid Habtewold

"It's in The Lord of the Rings, I think, where one of the characters says that "way leads on to way"; that you could start at a path leading nowhere more fantastic than from your own front steps to the sidewalk, and from there you could go . . . well, anywhere at all. It's the same way with stories. One leads to the next, to the next, and to the next; maybe they go in the direction you wanted to go, but maybe they don't. Maybe in the end it's the voice that tells the stories more than the stories themselves that matters."

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Assegid Habtewold

"We are all born as storytellers. Our inner voice tells the first story we ever hear."

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Assegid Habtewold

"We only have one life, but we can choose what kind of story it's going to be."

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Robert Creeley
"Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!"

Imagination

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Robert Creeley
"It's as though all the terms of a family were present at one time rather than his dad and his mum. Not just a present authority, but the resident memory of what qualifies what else is the case."

Family

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Robert Creeley
"The pattern of the narrative never of necessity wants to end, it never has to."

Narrative

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Robert Creeley
"The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it."

Reading

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Robert Creeley
"First you wonder if they're separate stories, but no, they're not, they're contingent stories and they form a pattern. And you begin with some of the island as the place to which the heroine of the book returns."

Narrative

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Robert Creeley
"It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on."

Friendship

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Robert Creeley
"And what's fascinating in The Ten Thousand Things is that although there's time, an inexorable time of the three generations of lives, actively present, but place is the time, time doesn't really have to do with simply the human experience of it."

Experience

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Robert Creeley
"All of which was OK, as that proved then, I certainly wouldn't contradict it as a necessary sense of things."

Sense

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Robert Creeley
"Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him."

Creativity

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Robert Creeley
"Don't name it, as they say, because instantly you offer it to this peculiar authority."

Authority

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