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"No drama, however great, is entirely independent of the stage on which it is given."
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"But in life, a tragedy is not one long scream. It includes everything that led up to it. Hour after trivial hour, day after day, year after year, and then the sudden moment: the knife stab, the shell burst, the plummet of the car from a bridge."
"And now I may dismiss my heroine to the sleepless couch, which is the true heroine's portion - to a pillow strewed with thorns and wet with tears. And lucky may she think herself, if she get another good night's rest in the course of the next three months."
"But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it."
"Oh, this is the most TRAGICAL thing that ever happened to me!"
"I feel sorry and for the both characters the drama for the girl, which was unknown was one very big, for the father who knows what has happened to him... I try to explore him little deeper, but so far to go in the darker without a light...!?"
"Exaggerating Your Gestures"Have you ever walked through a door and been jumped on by an over-enthusiastic dog with big paws who practically knocked you down? Some people have that effect. Being too flamboyant and over-boisterous can be overkill and push people away. Drama queens and kings have mastered these exaggerations, much to the chagrin of their observers. Remaining intentional in your gestures is a mark of poise, elegance, and maturity."
"In fact-Dr. Sheppard!"
"You men have none of you any hearts.''If we have not hearts, we have eyes; and they give us torment enough."
"We participate in tragedy. At comedy we only look."
Explore more quotes by George P. Baker
"Back through the ages of barbarism and civilization, in all tongues, we find this instinctive pleasure in the imitative action that is the very essence of all drama."
"Rare is the human being, immature or mature, who has never felt an impulse to pretend he is some one or something else."
"The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature."
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