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"No drama, however great, is entirely independent of the stage on which it is given."
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"Oh, this is the most TRAGICAL thing that ever happened to me!"

"But in life, a tragedy is not one long scream. It includes everything that led up to it. Hour after trivial hour, day after day, year after year, and then the sudden moment: the knife stab, the shell burst, the plummet of the car from a bridge."

"In fact-Dr. Sheppard!"

"The theatre is a place where one has time for the problems of people to whom one would show the door if they came to one's office for a job."

"You men have none of you any hearts.''If we have not hearts, we have eyes; and they give us torment enough."

"You let me handle Marius," I said. "Now, you didn't come without you dagger.""No, I did not," he said, lifting his cloak to reveal it, "And with your permission I would like to plunge it through my heart now so I will most assuredly stone-cold dead before the Master of this house arrives home to find you runnning rampant in his garden!""Permission denied."

"Having second thoughts? Puck's voice was soft and dangerous, a far cry from his normal flippancy. "I thought we put this behind us for now."Never, I said, matching his stare. "I can't ever take it back, Goodfellow. I'm still going to kill you. I swore to her I would. Lighting flickered overhead, and thunder rumbled in the distance as we faced each other with narrowed eyes. "One day, I said softly. "One day you'll look up, and I'll be there. That's the only ending for us. Don't ever forget."

"I feel sorry and for the both characters the drama for the girl, which was unknown was one very big, for the father who knows what has happened to him... I try to explore him little deeper, but so far to go in the darker without a light...!?"
Explore more quotes by George P. Baker

"In the best farce today we start with some absurd premise as to character or situation, but if the premises be once granted we move logically enough to the ending."

"But what is drama? Broadly speaking, it is whatever by imitative action rouses interest or gives pleasure."

"Rare is the human being, immature or mature, who has never felt an impulse to pretend he is some one or something else."

"In reading plays, however, it should always be remembered that any play, however great, loses much when not seen in action."

"Back through the ages of barbarism and civilization, in all tongues, we find this instinctive pleasure in the imitative action that is the very essence of all drama."

"The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature."

"What then is tragedy? In the Elizabethan period it was assumed that a play ending in death was a tragedy, but in recent years we have come to understand that to live on is sometimes far more tragic than death."

"In all the great periods of the drama perfect freedom of choice and subject, perfect freedom of individual treatment, and an audience eager to give itself to sympathetic listening, even if instruction be involved, have brought the great results."

"There is no essential difference between the material of comedy and tragedy. All depends on the point of view of the dramatist, which, by clever emphasis, he tries to make the point of view of his audience."
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